Must Come Down: Guiding You Through Your Quarter-Life Crisis

by Esther Merono [esther@slugmag.com]

Issue 261 / September 2010     More from this Issue     Download PDF  PDF



[Photo: Ruby Claire Johnson]

 

Quarter-life crisis: Based on SLUG Mag’s demographics, there’s a good chance a lot of you are experiencing one, especially in this economy. What do you do when nothing seems to be going your way? Even extraterrestrials know to at least phone home. That’s where local artist, curator, filmmaker and screenwriter Kenny Riches sends the main character of his upcoming indie feature film, Must Come Down­ — back to his roots. Going home usually means a plate of cookies and a chat with mom, not trying to break into the house where you spent your childhood where someone else’s mom currently lives …

Ashley (David Fetzer) and Holly (Ashly Burch) are the two unemployed twenty-somethings “stumbling through life’s final bout of growing pains” in this quirky comedy about being lost.


Written, directed and produced by Riches, Must Come Down is his first feature-length film, no doubt inspired by his own adventures and experiences. Founder and owner of Kayo Gallery until he sold it in late 2007, Riches left to travel the world, including his terra patria, Japan, and returned to begin working on the screenplay. “I’d only written short films up until two years ago... I came back to Utah and had a [reunion] show at Kayo and I started being more interested in my family history,” he says. The gallery show, titled “I Wish Things Were Different,” took place last November and, like Must Come Down, focused on the past with the themes of nostalgia and adventure. “My favorite thing is when people tell me ‘oh, I really connect with this or that part of the story,’ I feel like that’s important to me. This film is a lot about being lost and everyone our age is kind of there,” he says. This led Riches to seek out his childhood home, which he wanted to use as a location, obviously resulting in a key part of the film’s plot. Thanks to Google and Riches’ persistence, he was able to make it happen. “I stalked [the family who now owns the house] a little bit, I found their names on the county recorder through their property listing … The family that lives there is so amazing and supportive,” he says. 

The cast also fell right into place. The close friendship shared by Riches and Fetzer was evident as the two skillfully played off each other’s comments and even finished each other’s sentences.


“It’s my suspicion that Kenny had me in mind from the get-go when he was writing the screenplay, ‘cause when I read it, he’s incorporated some of my idiosyncrasies,” says Fetzer. Riches confesses the part was written with Fetzer in mind — no audition needed. Both agree their relationship benefits the artistic process. “It’s a casual collaborative dynamic between the two of us. It was just an extension of our history,” says Fetzer. “We share similar comedic timing, which is really important,” Riches concludes.


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Comments on this article

Posted on September 4, 2010 by Mark Brocksmith

This shoot was a lot of fun. Ashley Burch was natural and easy to work with. Kenny Riches was an "actors director" and allowed flexibility in my characterization, letting me create elements that aided in being, well, a fabulous and fruity florist. I am excited to see how far Must Come Down will go.

 

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