Issues: Issue 299 - November 2013
Review: Take Offense – United States of Mind
When Take Offense first started making waves beyond their native Chula Vista, the predominant buzz surrounding the band was a seamless integration of heavy metallic hardcore with a funky Venice thrash kick. On their second full-length, they continue in the same vein with some more of the metallic embellishments that have kept them a head above many of their contemporaries. … read more
Review: SISU – Blood Tears
Blood Tears is bristling with synths and heavy bass riffs, and in between, Vu’s voice creates melodramatic tension. Most of the tracks recall the current ’80s pop revival, but there’s something refreshing about the sleeker production here, especially on the awesome single “Harpoons.” … read more
Review: Skeletonwitch – Serpents Unleashed
Honestly, I wasn’t a huge fan of Forever Abomination, but in my eyes, the band has transcended their sound on this record—the technically modest solo of “Beneath Dead Leaves,” for example, demonstrates Skeletonwitch’s penchant for song construction rather than stereotypical, dick-swingin’ metal guitar solos. … read more
Review: Spindrift – Ghost of the West
The wide-open spaces of places like Joshua Tree, animal corpses rotting under the blazing sun and the myth of the desert have marked all of their records, but for Ghost of the West, Kirpatrick Thomas wanted something different. He wanted to make an album that didn’t emulate the myth of the West, but embodied the West—what it actually was. … read more
Review: Seams – Quarters
Quarters utilizes crisp, unadorned beats that snap and pop in crystal-clear hi fidelity. These simple chord progressions and beats are then added on layer by layer with buzzing synths and serrated arpeggios until the sum eventually outweighs its parts, but not without leaving a golden thread back to the beginning. … read more
Review: Seeker – Unloved
Knee-jerk reaction would lump these guys in with the somehow-still-prevalent deathcore genre, but Unloved lacks the breakdowns and the tech-noodling. What they do play is ferocious, syncopated rhythms where guitars serve as another percussive instrument, punctuated by slow interludes of open strumming. … read more
Review: Quasi – Mole City
Rock n’ roll is about excess, not precision or scholastic adherence to tradition or, RockGods forbid, discipline. It does take some kind of discipline, or something, to make music with an ex-spouse, as do Sam Coomes and Janet Weiss of Quasi. … read more
Review: Richard X. Heyman – X
Every track has the same folky, calming tone, with Heyman’s bastardized mix of Bob Dylan’s and Paul Wellar’s melodic vocals. One exception, “Compass,” is made up of heavier guitar riffs, and Heyman provides harsher vocals that make for harder pop rock n’ roll. … read more
Review: RJD2 – More Is Than Isn’t
As far as funky, jazz-influenced electronic hip hop (I get that’s a lot to ponder, but hear me out) goes, RJD2 delivers an album nothing short of amazing with More Is Than Isn’t. … read more
Review: Russian Circles – Memorial
When did Russian Circles transition from a second-tier post-rock band to a peerless post-everything behemoth of hair-trigger precision and cathartic terror-beauty? Russian Circles have been playing lately like the mid-’00s post-rock boom never happened. … read more