When Cerulean came out on Anticon earlier this year, critics were quick to lump the 21-year-old Californian’s debut into the burgeoning (and largely made up) chillwave microgenre. Baths took offense to this—it is easy to see why. Instead of being ostensibly effects-driven and wrapped under a gauze of lo-fi consumer electronics, Cerulean is all beats. Crisp, sparkling, low-end rumbling beats are looped with such complexity that they are easy to lose in the shuffle.