Authors: Jeanette D. Moses
FIDLAR @ The Main 03.14
This L.A. based band seems to have taken notes from Black Lips, because that’s exactly who their live performance reminded me of. … read more
Night Beats @ Buffalo Billiards 03.14
I checked out Night Beats in Salt Lake City about a week before heading down to Austin. The crowd was sparse at that show, but they performed like they were playing to a packed house instead of to a dismal crowd. Unfortunately, their Wednesday night show at Buffalo Billiards didn’t draw a much larger crowd than the Salt Lake City show.
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Gossip @ Maggie Mae’s Rooftop 03.15
Beth Ditto killed it in Austin as Gossip performed in anticpation of their fifth studio album, A Joyful Noise. … read more
Austin Psych Fest Showcase @ The Spider House 03.15
The Spider House instantly blew me away—it’s an all ages venue, equipped with multiple bars, four different stages (three of which were outdoors) and on Thursday one of their many patios was lined with vintage clothing dealers. The interior of the place is just as rad. Considering that I was there for the free Austin Psych Fest showcase made the experience even more mind blowing. … read more
Night Beats @ Bar Deluxe 03.06
On Tuesday evening, I pedaled my ass through a massive snowstorm towards Bar Deluxe to check out the Night Beats. By the time I got to the bar (a mere four blocks east of my house), I was cold and wet and I’d watched my boyfriend almost eat shit on his bike. Before I made it home that night, I was colder and had slid out on my bike and managed to smash both my knees and my chin against some ice. Thank god I didn’t break the record that I’d purchased—if that had happened, my tears probably would have lasted much longer. Fear that you’ve just lost your teeth to an icy sidewalk is scary, but destroying an awesome record, now, that would be devastating. … read more
Aquarium Drunkard Day Party @ The Hype Hotel 03.15
I stumbled into the Hype Hotel looking for a way to kill some time on Thursday afternoon. I didn’t know who was playing, but figured that entry to the Hype Hotel would likely come with a few free cocktails. I quickly realized that I was in for a pretty awesome SXSW surprise: Lee Fields and the Expressions and Bass Drum of Death were both scheduled to play. … read more
The Black Angels @ Empire Automotive 03.15
Although I’ve seen The Black Angels numerous times, and more than one of my SLUG cohorts pointed this out to me when I announced my plans, I’d have a difficult time turning down a chance to see them live—that’s how blown away I’ve consistently been by their performance. I’ll admit that I might be kind of a The Black Angels fanboy, but fuck it, I don’t care, it’s not like I have their name tattooed on my body or anything… … read more
The Ettes @ Wahoo’s 03.16
Nashville’s The Ettes played their final show of SXSW at a fish taco joint called Wahoo’s. The turnout was small, but the set was still epic. … read more
Sleigh Bells @ The Depot 04.12
Around 9:45 p.m. the room went dark and the hype for the headlining act began. A red glow illuminated the 12 massive Marshalls at the back of the stage. Moments later, not one, but two guitar players emerged on the dark stage before being followed by the tiny, raven-haired Alexis Krauss who was rocking a pair of white Keds, cut off denim shorts and a super tough leather motorcycle jacket, which was discarded by the side of the stage after only one song. … read more
Social Distortion @ The Depot 05.12
Upon arriving at Social Distortion’s second sold out Salt Lake City show of the weekend, I quickly made my way to the upstairs bar. While night one had been a strictly 21+ show, the second night of the weekend featured an all-ages section on the main level of the venue. The bar was packed and it was immediately clear that the all-ages night hadn’t deterred any of the 21+ crowd from coming out. … read more
Review: Hacking Democracy
Hacking Democracy Simon Ardizzone and Russell Michaels Docurama Street: 04.10 Hacking Democracy is yet another documentary set out to uncover the truth about voter disenfranchisement in the past few elections. As far as cinematic quality goes, Hacking Democracy is much less visually captivating than American Blackout and others made in the same vein. The undeniable
Review: Graffiti TV: The Best Of
Graffiti TV is straight from the mid-90s. Everything from the shaky cameras, poor film quality, flannel shirts and bad, bad haircuts were reminiscent of a home movie. … read more
