Arts
Slamdance Film Review: Dim the Fluorescents
Fitted with long scenes, on-point characters and justly over-the-top dialogue, Dim the Fluorescents is as imaginative and entertaining as are Audrey and Lillian’s sensational corporate demonstrations. … read more
Slamdance Film Review: Dave Made a Maze
Slamdance Film Festival’s “Dave Made a Maze,” directed by Bill Watterson, is a quirky, absurd comedy with a touch of horror-movie antics, starting with Annie (Meera Rohit Kumbhani) learning that her boyfriend Dave (Nick Thune) is inside of a cardboard mass. “Dave Made a Maze” plays Jan. 21 at 8 p.m. and Jan. 23 at 10:30 a.m. in the Ballroom. … read more
Slamdance Film Review: Withdrawn
Director Adrian Murray’s first feature film, “Withdrawn,” is somewhat of a dry farce that manages to be both entertaining and subdued. The broke, basement-dwelling, band-tee-wearing Aaron spends his days mostly alone, preoccupying himself by playing video games, trying to solve a Rubik’s Cub and also trying to find ways to pay bills that he can’t afford. When he finds a lost credit card, Aaron decides to hatch a defrauding scheme. … read more
Slamdance Film Review: Bogalusa Charm
Bogalusa Charm chronicles the people of Bogalusa, who narrate their own interwoven histories as part of the collective lore of the town. … read more
Slamdance Film Review: Strad Style
Danny Houck is a 32-year-old eccentric. He wears a long scarf around his head at almost all times, and he has a mania for violins. In particular, he’s obsessed with the two greatest violinmakers in musical history, the Masters of Cremona: Antonio Stradivari and Guarneri del Gesu. Director Stefan Avalos’ “Strad Style” has us cheering for Danny from beginning to end. … read more
Slamdance Film Review: Aerotropolis
“Aerotropolis” follows Allen, a young, middle-class man who invested everything he owned into a beautiful apartment and unused aerotropolis land. Lulled in by the aerotropolis’ “promised land,” Allen is instead ensnared by the pitfall of financial pressures and an existence stripped of meaning. … read more
Slamdance Film Review: Supergirl
Naomi Kutin is a fairly normal, Orthodox Jewish, preteen girl growing in New Jersey. The only catch: She is also a world-record-breaking powerlifter, who, at one point in the movie Supergirl, deadlifts almost three times her body weight. … read more
Sundance Film Review: The Little Hours
Jeff Baena’s debauched film The Little Hours makes us appreciate the fact that sex comedies have been funny for hundreds of years. … read more
Slamdance Film Review: Who is Arthur Chu?
Yu Gu and Scott Drucker’s aptly titled documentary, Who is Arthur Chu?, chronologically follows Chu’s rise to fame, using Chu’s number of Twitter followers at any given time to mark different chapters of Chu’s life during and after Jeopardy! … read more
Slamdance Film Review: Wexford Plaza
Toronto-based Joyce Wong’s first feature film, Wexford Plaza, is an at-times painfully real-life comedy about suburbia, isolation and ennui. The film follows the lives of 19-year-old, late-night security guard, Betty (Reid Asselstine) and the well-meaning, deadbeat bartender, Danny (Darrel Gamotin), as they find their lives unraveling. … read more
Slamdance Film Review: Beat Beat Heart
Slamdance Film Festival’s “Beat Beat Heart,” directed by Luise Brinkmann, creatively portrays how a person heals from a heartbreak—especially in a closed-off, small-town setting. … read more
Slamdance Film Review: Cortez
Cinematically, Cortez is a beautiful film and focuses on the wild, unpredictable nature of the Southwest. It follows the story of struggling musician Jesse as he is aimlessly drifts from town to town, trying to make it as a solo musician after the breakup of his band. … read more
