Review: Gravehill / Mordbrand – In Nighted Waters

National Music Reviews

Gravehill / Mordbrand
In Nighted Waters

Street: 11.18
Gravehill / Mordbrand = Hellhammer + early Grave + Sodom + early Entombed

This isn’t your average split 12”—hell, what is an average split release anyway? You have two bands, sometimes doing completely different things, or two bands doing some likeminded things. While Cali’s Gravehill and Sweden’s Mordbrand run in similar genre circles, the music from both bands is not just diverse with regard to the split but also explores a bit of newer territory for each band. Gravehill’s Side A is the band’s previously released but highly limited (to cassette) EP, Skullbearer. Side B for Mordbrand is a brand-new EP titled In Nighted Waters. Maybe this was not initially meant to be a split, but it is now—well, more of a two-for-one option on vinyl: two EPs on one piece of wax.

Mordbrand | In Nighted Waters
Mordbrand | In Nighted Waters

Starting off, I’m going in reverse order of the split here. I hadn’t heard a lick of music from Mordbrand, but this introduction is outstanding, mostly straight-up Swedish death. It has that jugular-pulling, dirty, Swedish death metal guitar style running through it to pump out heavy and heavier riffing. The production is quite clean while keeping a raw edge throughout. Tempos, however, are multifaceted. There is some minimal keyboard work. The keys do not take an ounce of the death away and do not populate every song. The opening riffs from “Decimation Reigns” set the tone for the bands’ five decimating tunes. When Mordbrand aren’t pummeling with riffs, the breaks—interchanges from riffing and downtempo melodic stuff in between—keep things rolling like a rocket-fueled steamroller. “Parishioners of the Bleeding” has some great tremolo riffing that doesn’t really play out on any other songs—just a bit of the diversity that populates In Nighted Waters. It all ends in a fantastic bang. “Where Existence is Null” is a downtempo track that gets your mind thinking, “OK, this is going to close out a bit slow and dreary.” Nope! “Compost Christ” lays the sucker punches with a jackhammer fist that forms fast, chunky riffs with all the violence you expect from Swedish death metal elite!

Gravehill | Skullbearer
Gravehill | Skullbearer

Skullbearer is good insight into what more can come from the veteran blackthrash Gravehill. The songs are similar but quite different when compared to Gravehill’s last full-length, Death Curse. The four tracks, almost 20 minutes long in total, fly by. The emphasis on the blackthrashing is shown from the start with “By the Edge of our Knives,” offering the speed, grime and ugliness to make blackthrash shine. Things get slowed down significantly with the second cut, “Redeemed in Blood.” Gravehill’s usual ugliness puts a bow tie on or some shit. Granted, it’s a shitty thrift-store bow tie. Tempos are slowed, songwriting is more complicated, and it shows the band in a light that develops over the EP. They’re not just purveyors of speed and filth, but every inch and corner of filth. Hell, if you have ever met the guys, you know that they are pretty damn filthy. “Redeemed” is really the only slowed-tempo cut. The rest rages on ripe with gravel-gargling vocals to fit right in with the intensity of it all. The satisfaction at the end is a fine one. I enjoy the idea of two standalone EPs turning into a split LP. Thanks, Gravehill and Mordbrand, for some beautifully ugly tunes! –Bryer Wharton