With a focus on family-based immigration, the work Cueva Law Firm does is at once tumultuous, exhausting and rewarding.
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Cueva Law Firm: A Story of Success
With a focus on family-based immigration, the work Cueva Law Firm does is at once tumultuous, exhausting and rewarding.
… read more
Judas and the Black Messiah, from director Shaka King (Newlyweeds), showed at the Sundance Film Festival last night and did not disappoint. … read more
Prisoners of the Ghostland is a nonsensical mess that had me feeling like one of those characters from a certain era of Bugs Bunny cartoon. … read more
In this retelling of Romeo and Juliet, R#J feels more like a very intriguing experiment than a particularly good film. … read more
Jockey is a triumph of melancholy and wistful moments woven together by a skilled director and actor who has never been fully appreciated. … read more
Kate Tsang’s Marvelous and the Black Hole is by no means terrible, and it kills almost 90 minutes adequately enough. … read more
Mother Schmuckers relishes in the glitching, sometimes senseless approach to collage afforded by the early internet era. … read more
Mass is an uncompromisingly provocative film, one sure to be the subject of discussion if people can steel themselves up to watch it. … read more
Flee is a magnificent achievement in directing, and a genuine game changer for documentaries as an artform. … read more
Jerrod Carmichael’s On the Count of Three is an interesting commentary on the difference between angry self-pity and true mental illness. … read more
Zoe Lister-Jones & Daryl Wein’s pre-apocalyptic How It Ends is slight and forgettable, but it is an enjoyable little excursion. … read more
Coda perfectly encapsulates the idea of challenging narrow viewpoints regrading the ways we communicate, the ways we live and the ways we love. … read more