Tape Glow = Com Truise + Boy Harsher + Taking Back Sunday … read more
Local Review: Tape Glow – Bright at Midnight
Film Review: The Last Days of American Crime
The Last Days of American Crime isn’t a film: It’s an unsightly blemish on your Netflix queue. You don’t watch it so much as you drain the pus out of it. … read more
Local Review: Leroy Solid – Progress
Leroy Solid’s Progress isn’t full, head-on EDM, but there are definitely undertones and traits persisting throughout its entirety. … read more
Review: Ancient Ethel – Ancient Ethel
Ancient Ethel = The Cramps + Dex Romweber Duo + Fat Knuckle Freddy … read more
Review: KENDRA AMALIE/RYLEY WALKER – Papaya in a Hound’s Tooth
Yes, Kendra Amalie and Ryley Walker’s Papaya in a Hound’s Mouth is disorienting, but even more so, it is downright invigorating. … read more
Review: Mare Berger – The Moon is Always Full
Mare Berger = The Black Atlantic + Lucy Rose … read more
Film Review: Becky
Becky is certainly not for all tastes, but it has the makings of the next big cult favorite, and is one of the most unique action movies in quite a while. … read more
Local Review: Breakfast in Silence – CW: Loss
Breakfast in Silence = Prism Bitch + the Due Diligence … read more
Film Review: Da 5 Bloods
If there’s one thing you can count on with Spike Lee, it’s that his films will always try to make a statement, and Da 5 Bloods has an awful lot to say. … read more
Series Review: Crossing Swords
There are plenty better things to do with your times then to waste it on even one episode of the boorish, adolescent idiocy of Crossing Swords. … read more
Review: The 1975 – Notes on a Conditional Form
The 1975 = Tears For Fears + a dash of Post Malone + Brian Eno … read more
Annelise Duque: Discovering What’s Between Heritage and Selfhood
Annelise Duque creates and photographs scenes that lead you into memories that you thought you may have forgotten, but are now reminded of. … read more
