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Local Review: Nothing For Now – The Veil
Nothing For Now The Veil NFN = Alkaline Trio + AFI + Dashboard Confessional The best way to become self-assured is to get an ego first and then force yourself to live up to it, but Nothing For Now considers themselves a bit too epic. These recent SLC immigrants should heed the age-old wisdom
Local Review: Nate Padley – Monster of Vision
Nate Padley Monster of Vision Soundco Records N. Padley = Cowboy Junkies + Bob Dylan (circa Oh Mercy) + Steve Malkmus Nate Padley hits the “life is full of pain but art makes it tolerable” nail on the head—in a solemn, sincere way. He plays an army of instruments on Monster of Vision but
Local Review: Nexis – Game Over
Nexis Game Over Nexis = Jay Z + Hieroglyphics Slick rhymes and inventive metaphors of Nexis do well to gloss over his one downfall—lack of original content. He spits the same shit that everybody else spits—typical G-rap “I’ll fuck you up while smoking blunts and get the big deal I deserve” shit. His lyrical abilities
Local Review: Fail to Follow – Self-Titled
Fail to Follow Self-Titled FTF = AFI + Sick of It All (neutered) More punk than most hardcore bands that decided they were good enough musicians to show off, Fail to Follow is not unlistenable at all—mediocre, maybe, but definitely not unlistenable. The lyrics aren’t whiny and the vocals actually sound like they have
Local Review: Drug – Self-titled
Drug Self-titled Drug = Dub Pistols + ‘Quette Daddie’s casio Eclectic hip-hop outfit Drug engages old-fashioned movie clips mix with rumba beats, disembodied vocal samples, heavy beats and trilling flute stuff. However, the production’s flat and dead, and the vocal effects sound like Chipmunks zombies. Maybe Drug S5 stole ‘Quette Daddie’s Casio? Good production
Local Review: Born Free – Divine Madness
Born Free Divine Madness Born Free = John Brown’s Body + The Roots Born Free mixes hip-hop with reggae, rock, world music, techno and drum n’ bass, resulting in a diverse amalgamation that’s Jamaican first. Divine Madness is layered over with heavy electronic beats and gospel/spiritual sermonizing vocals. No slick mainstream 50 Cent here.
Local Review: Pelpp and A. Vanvranken – Pedal
Pelpp and A. Vanvranken Pedal Pelpp and A. Vanvranken = Worm is Green + Bjork’s Vespertine – vocals Electro-ambiance flutters in the deepening twilight; machines have warmth too. Like the sophisticated, emotional electronic renderings of Iceland’s Worm is Green, Pelpp and A. Vanvranken is minimal but powerful—knows when adding just one more note would
Local Review: Theta Naught – Abacus
Theta Naught Abacus Eden’s Watchtower Theta Naught = Pink Floyd + Utah Symphony The opening track of the instrumental Abacus, “Ignition Switch,” reminds me of Pink Floyd’s “Careful With That Axe, Eugene” mixed with a bit of NIN discordance on the wavery, single guitar notes. The thick, layered strings weld perfectly with the guitar
Local Review: Twelve State Killing Spree – Demo
Twelve State Killing Spree Demo TSKS = The Damned + _ Nelson + Teen Idols The underproduction and nasally vocals on this album make this sound like a recording my band I had in high school made—and that is not flattering. However, the early 90s (not over-) melodic tunes contrast the more-malevolent-than-your-typical-snotty/poppy-punk-band lyrics quite
Local Review: Various Artists – If You Do Clean People’s...
Various Artists If You Do Clean People’s Ears Out Vol. 3 Eden’s Watchtower Records Eden’s has trimmed down its trad comp from two songs per artist to one, which means less Eden’s music, but makes it more accessible. DulceSky’s midnight-lush, 80s shoegazer “Media-Luna” opens up Vol. 3, followed by The Child Who Was a