Irrebuttable: The Royal Smashings of Austin’s Invincible Czars

Irrebuttable: The Royal Smashings of Austin’s Invincible Czars
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On August 4, 2004, I snagged the boon of some face and jaw time with Austin’s Invincible Czars after they had transformed Burt’s Tiki Lounge into Burt’s Klezmorim Circus Den. It was not the standard interview where you get shoved into a corner with the tambourine player they’re about to kick out of the band

Maddox Editorial – September 2004

Maddox Editorial – September 2004
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It Rocks, But Is It Pirate-Worthy? Maddox Editorial have been trying to answer one question about pirates for years now: what is it about pirates that make them so awesome? This debate came to rest with newly discovered evidence of pirates having giant, life-threatening penises with which they regularly bludgeoned women, children and weaker men. However,

Review: Stained – Imperanon

Review: Stained – Imperanon
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Stained Imperanon Nuclear Blast Stained is the debut from Finland’s Imperanon. With an average age of 20, and considering this album is their debut, you’d expect to hear metal with training wheels, but that’s not the case—not even close. This is ten tracks of highly-technical music that will make you sit up and listen from

Review: Beyond The Embrace – Insect Song

Review: Beyond The Embrace – Insect Song
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Beyond The Embrace Insect Song Metal Blade It’s so strange to hear rock music anymore. Metal, for the most part, has moved far into the extreme, while rock music has moved far into the corporate, “MTV” world. Beyond the Embrace’s album Insect Song is a rock/metal hybrid, although they are much more metal than they

Review: Into Eternity – Buried In Oblivion

Review: Into Eternity – Buried In Oblivion
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Into Eternity Buried In Oblivion Century Media Canada’s Into Eternity redefine and set new boundaries for progressive metal with their release, Buried In Oblivion. Layered vocals with a European flair are mixed with a very aggressive, almost death approach. The two styles work well together. Musically, this band plays with the same melodic/heavy mix as

Review: Nicki Jane – Of Pigeons and Other Curiosities

Review: Nicki Jane – Of Pigeons and Other Curiosities
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NICKI JANE OF PIGEONS AND OTHER CURIOSITIES Shaman Yes, it is comforting to know that there is still enough space in the world for a little dark cabaret. On Of Pigeons and Other Curiosities, Nicki Jane swings around her guitar or piano with a bitter assurance reminiscent of Nick Cave. Through restraint, she’s more subtle

Review: Rachel Goswell – Waves are Universal

Review: Rachel Goswell – Waves are Universal
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RACHEL GOSWELL WAVES ARE UNIVERSAL 4AD Rachel Goswell: You might not recognize the name, but I’d have a hard time believing that someone who has any interest in my column wouldn’t have heard her voice in either Slowdive or Mojave 3. Her solo debut is as stunning as Neil Halstead’s (also in both previously mentioned

Review: Le Concorde – EP

Review: Le Concorde – EP
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LE CONCORDE EP Space Kitty It is always a pleasant surprise when a CD bears a sticker telling of guest artists featured within and you ultimately realize the band sticker is underselling the talent and potential of the band. Sure, the appearance of the Psychedelic Fur’s guitarist, John Ashton, and their saxophone player, Mars Williams,

Review: Bella Morte – As The Reasons Die

Review: Bella Morte – As The Reasons Die
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BELLA MORTE AS THE REASONS DIE Metropolis If you’re intent on categorizing bands into genres, you might want to ignore Bella Morte’s existence. Caught somewhere between industrial and synthpop with a touch of something gothic, Bella Morte again prove that creativity is a whole lot more interesting than the paint-by-numbers approach by flowing seamlessly between

Review: Midlake – Bamnan and Slivercork

Review: Midlake – Bamnan and Slivercork
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MIDLAKE BAMNAN AND SLIVERCORK Bella Union Typically, Simon Raymonde (Cocteau Twins) and his lovely Bella Union record label release quality albums. Bamnan and Slivercork from Midlake is quite easily the worst lazy clone of a Flaming Lips release that you could ever imagine. It’s detached without any sense of purpose other than to remind me that