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Film Review: The World To Come
The World to Come explores the question of how one deals with the realities of life versus the expectations of what it’s supposed to be. … read more
Local Review: Cassette Drift – A Stateless Dark
Cassette Drift = Depeche Mode + Slowdive … read more
Slamdance Film Review: Mia Misses Her Revenge
Mia Misses Her Revenge opens various conversations regarding men and the benefit of having supportive friends helping through bad breakups. … read more
Slamdance Film Review: ISAAC
ISAAC is a film that gives you breadcrumbs and allows you to make meaning, and while that might be daunting, that final moment of clarity is worth chasing. … read more
Film Review: Minari
Minari is an emotional and lyrical work of art, and a moving portrait of assimilation and the immigrant experience. … read more
Local Review: Marqueza – White Elephant
Marqueza = Cilver + Paramore … read more
Film Review: Malcolm & Marie
It’s difficult to imagine anyone but people who really like Zendaya and John David Washington making it through Malcolm & Marie. … read more
Film Review: Nomadland
Nomadland is an immersive, cleansing experience that had me captivated from beginning to end, and it’s deserving of the love it’s getting. … read more
Review: Matthew Sweet – Catspaw
Matthew Sweet = Grateful Dead + The Beach Boys + Todd Rundgren … read more
Sundance Film Review: You Wouldn’t Understand
Trish Harnetiaux’s You Wouldn’t Understand is an unassuming little gem of absurdist comedy that knows exactly what is is. … read more
Sundance Film Review: Judas and the Black Messiah
Judas and the Black Messiah, from director Shaka King (Newlyweeds), showed at the Sundance Film Festival last night and did not disappoint. … read more
Sundance Film Review: Prisoners of the Ghostland
Prisoners of the Ghostland is a nonsensical mess that had me feeling like one of those characters from a certain era of Bugs Bunny cartoon. … read more
