Welcome to this week’s edition of Napalm Flesh. Today we have an interview with Harm’s Way vocalist James Pliggue, a rundown of this week’s metal events, and blog exclusive reviews of the new albums from Chasma, My Dying Bride, Root and Whitechapel. … read more
A riotous and irreverent tale of three high school virgins and their quest to “fuck shit up,” Bindlestiffs is like Ferris Bueller’s Day Off and Superbad on crack—literally. Suspended from school for graffiti after The Catcher in the Rye is banned, Andrew, Luke and John check into an inner-city motel, determined to experience the world, Holden Caulfield style. What follows is a week of debauchery as the boys go looking for love, good times and poon. … read more
A long time in the making, the Opiates full-length debut, Hollywood Under The Knife, was worth every single second of wait time. With a world-weary truth—the album’s mostly female protagonists emerge song by song with their faults and weaknesses laid bare for the listener. As the album works its magic and emblazons itself upon the listener’s brain, this ultra-sophisticated concept album triumphs as one of this year’s finest releases. … read more
Peter Baxter, the current president of Slamdance and one of its founders, revealed his latest documentary in a special screening during the Slamdance 2012 festival. Narrated by Sean Bean, Wild in the Streets focuses on the town of Ashbourne, Derbyshire, England, built along the Henmore River, where the townspeople have been playing a game called Shrovetide for over 1,000 years. … read more
Mr. Norman is a nice kid, who, at thirty-two years old, is talented as hell, looks like Kenneth Parcell from 30 Rock, and writes chamber music like it came from outer space. … read more
20 years ago, Shaun Parker made a horrible student film. In Hope. You Like Crap., Parker shows the film in its entirety, talking shit on it and his former pretentious self with amusingly scathing, self-depreciating commentary. … read more
The English Chamber Music outfit, the Doric String Quartet, played at the Libby Gardner Concert Hall last Thursday, a program of quartets featuring Beethoven, Korngold and Brahms. … read more
The Nova Chamber Music Series concert on Jan. 22 started with Eliot Carter’s Elegy for Viola and Piano, whose humid and sunlit tone of joy swept the dust right out of my eyes. … read more
Happy New World Invasion Day to you, darkhearts! (Or if you insist on being traditional, Happy Thanksgiving.) Napalm Flesh is thankful to be bringing you a glorious interview with studio musician Keith Merrow, and thankful that the merciless hordes at YouTube have propelled this incredible songwriter to the status of metal god that he deserves. Also included are exclusive reviews of new releases from Cathedral and Coalesce and this week’s event calendar. … read more
“I’m in love with the concept of being in love,” says amateur porn producer Dan Leal, aka Porno Dan, in the beginning of this documentary following his unrelenting search for love amid porn conventions and gangbangs. But for co-dependent sex addict Porno Dan, love is hard to come by when sex with hundreds of women is business as usual. … read more
You gotta hand it to these hipsters. And when I say hipsters, I mean the Portland dwelling, bearded, easy-going, most likely stoned kind. Yes, Priory fits said cliche, but let’s not be too hasty to judge. The dudes of Priory stood out enough amongst the masses to land a tour, hop in a bus and live the musician’s dream. … read more
Roger Paradiso documents the rise and fall of hip hop pioneers Wonder Mike and Master Gee, original members of The Sugarhill Gang, the group responsible for the seminal record “Rapper’s Delight.” After the release of the world’s first commercial hop hop composition, Wonder Mike and Master Gee’s artistic credit and monetary earnings were taken by Sugar Hill Record execs, throwing the two into a 30-year struggle to reclaim their place in hip hop history. … read more
