Why? with Serengeti, Jel @ Club Sound 09.04

The semi-circle set up in the background made plenty of room center-stage, making it clear that Yoni is in command of this game. This isn’t to say that the band adds nothing; one of Why?’s strengths is in their ability to mix indie, hip hop, pop or experimental instrumentation with well crafted lyrics. While the songs embody the attitude typical of a lot of affluent males as a pitiful, lonesome individual, the setup fit. As Yoni started the night with a popular hit from Alopecia, “A Sky for Shoeing Horses Under,” the crowd was quick to warm up to Yoni’s voice that pays solid attention to rhythm and wordplay. … read more

Fictionist @ Rooftop Concert Series 09.07

This installment of Provo’s Rooftop Concert Series provided an interesting juxtaposition of coming and leaving in the Provo music scene. The show featured the scene’s most recent success story of breaking into the national eye, Fictionist. In contrast, The New Electric Sound is a rising force in Provo and is here to stay (for a little while, anyway). … read more

Add a Dash of Local Art: Lauren Mitchell

Each month, SLUG features a local artist and their work on the west wall of the café in Whole Foods at Trolley Square. September’s Add a Dash of Local Art features Lauren Mitchell. To get a better idea of who Lauren is, we invited her to the SLUG office and asked her to answer a few very strange and random questions that the office staff has come up with. They then create a piece of art out of their answers, with whatever supplies we have laying around the office. … read more

Culture Confidential @ The Rose Wagner, Leona Wagner Black Box 09.05

Aaron Moulton took the limelight (as the most interesting panelist of the evening, in my estimation). Moulton made “An Art Newspaper” called The Naughties that features deliberately stolen art, reframing them as pictures and advertisements to accompany fictional news stories. Moulton blocked most of his contributors’ names to evince a relinquishment of ownership, only allowing people for whom he has the utmost respect to have their name filter through, which I found somewhat hypocritical. Moulton said that he aims for this magazine to be The Onion of the unregulated art world. Moulton was amusingly indignant throughout the discussion, and seemed to be audience critics’ favorite target in a playful way. … read more

FYF Fest: Dylan Chadwick Style

FYF Fest in Los Angeles: A summer block party of indie rock touchstones from sunup to sundown in the middle of the downtown Historic Park. Multiple stages, monitors, concessions, vendors, comedians, water tents … the stuff Perry Farrel tried to resurrect with his travelling roadshow in the 2000s, but didn’t catch it on. … read more

FYF Fest: Esther Meroño Recap

The GPS on my phone tells me we’ve arrived in Los Angeles long before Dylan Chadwick and I finally park on Sunset Boulevard to pick up our FYF media passes on Friday afternoon. “I could never live here,” I say out loud, and that sentiment will echo five days later as we fight our way out of the city, but goddamn, Los Angeles, little do I know you’re about to give me five of the most magical days of my existence thus far. … read more

Mercies @ Kilby with Daisy & the Moonshines, Your Meteor, Artesia 09.14

Connecticut foursome, Mercies, looked endearing when the tambourine began to ring, initiating the intro into their opening number. Ambient rhythm guitar blanketed rolling drums in an unsteady and beautiful crescendo that would cut off just when you needed it most for a split second, then continue and pull you swiftly back in like breakers at high tide. … read more

Desert Noises @ Velour with The Young Electric, Timmy TheTeeth 09.13

“You don’t seem impressed,” Jacob, my brother-in-law, said midway through Desert Noises’ set, “Do you not like them?” The thing is, I did. I was actually quite impressed with their skill and their songs—it was a much-better-than-average performance. The issue was not how good the band was, and they were quite good—the issue was who performed before them. “That’s not it at all, it’s just hard to have this,” I said, motioning toward the stage, “Follow that,” I point to the back of the room. … read more