In his first feature-length film, Harry Patramanis presents a story of mystery and doubt. Richard (Warrick Grier) is nearly finished building a lavish glass house in a remote area in the Western Cape of South Africa, but the expense of it all has brought him near bankruptcy and he is now hopelessly running out of time to sell the property. … read more
Slamdance Film Review: Glory Days
Glory Days tells the story of a dead-beat dad’s attempt to remain in the past. Jack (Mike Lubik) hauls his two young children (Cory Nichols and Paige Elizabeth Smith) to a New Years Eve party that clearly wasn’t intended for little kids.
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Slamdance Film Review: Shale
Shale is a short film that examines the importance of a balance of power within a relationship. John (Walter Dalton), the owner of a shale pit, is being divorced by his wife, Sheila (Sandra Seacat), and is prepared to destroy everything he owns rather than split things with her. … read more
Sundance Film Review: Pussy Riot: A Punk Prayer
On February 12, 2012, the punk-informed feminist art collective Pussy Riot stormed the altar at the Cathedral of Christ the Savior in Moscow, clad in colorful dresses and balaclavas, screaming “It’s God’s shit!” in a performance art piece that would be heard of around the world. … read more
Sundance Channel Series Review: New American Noise
This six-part documentary series produced by Somesuch & Co. and Nokia Music delves into the underground music scenes of six cities across the U.S.—the sticky strip clubs of Atlanta, the twerk battles of New Orleans sissy bounce parties, the guerilla shoegaze concert on some bridge thing in Portland. … read more
Sundance Film Review: Crystal Fairy
Jamie (Michael Cera) an American living in Chile, and his Chilean friend Champa (Juan Andrés Silva) have made plans to go on a road trip into the desert and ingest the psychedelic San Pedro cactus with Champa’s younger brothers (Agustín and José Miguel Silva). While at a house party the night before the trip, Jamie smokes weed, snorts coke and accidentally invites the hippie girl he just met to go on the trip with him. By morning, Jamie has forgotten about the previous night and the boys hit the road. But the girl (Gaby Hoffman), and American who calls herself Crystal Fairy, hasn’t forgotten—she’s on a bus to the desert and calls Jamie, asking to be picked up. … read more
Slamdance Film Review: He’s Way More Famous Than You
The rise of fall of celebrities can either be a sad or amusing thing to watch. But in the film, He’s Way More Famous Than You, director Michael Urie (Ugly Betty, Partners) depicts the latter, with a heavily satirical take on the film industry. … read more
Slamdance Film Review: I Want To Be An American
This collective documentary depicts seven short films from seven different directors, the first of its kind to screen at Slamdance. Unlike other short blocks, which screen several unique films back-to-back, the directors of each short build on the ideas of the previous one. … read more
Sundance Film Review: Big Sur
Punching thru death clouds suffocating the New Zion, foot glued to accelerator with guitar chord change feedback shrieks into high-altitude circle jerk of starfuckers and art cannibals and humble unseen angels to stash auto in strip mall, take pre-noon flask pulls in tribute in anticipation of a dead reluctant god’s silver screen flashback, Jean-Marc Barr is Kerouac incarnate and Polish… … read more
Slamdance Film Review: Pearl Was Here
From the moment you see the seven-year-old Pearl, her big, brown eyes and curious gaze instantly grab your attention. Something tells you that mischief is a close friend of hers. … read more
Slamdance Film Review: Ghost Team One
Although the majority of Slamdance films tend to either be gripping documentaries or dramatic narratives, Ghost Team One is the complete opposite of both. There’s nothing to learn or gain from this film, as the only point is to make you laugh—and that it does. … read more
Slamdance Film Review: Visitors
When a son gives his father a degrading nickname like “the visitor,” that usually indicates their relationship is not going too well. But even though this is a German film with subtitles, director Constanze Knoche delivers a dramatic story that easily translates across language barriers. … read more
