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    • Local Reviews SLUG Magazine’s collection of reviews covering the latest and greatest of Utah-based music, covering all varieties of genre, style and type.
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    • Localized SLUG Mag’s Localized is the monthly, local music showcase founded in 2001 as a way for local musicians to receive recognition for their work. The monthly showcase provides bands playing with free posters to promote the show, a write-up in SLUG Magazine for the two headliners, payouts and digital promotion.
    • Brewstillery SLUG Mag’s Brewstillery celebrates Utah’s breweries and distilleries by offering tastings of local beer and spirits. Featuring local food trucks, local artisans and crafters and local music—this all ages event has something for everyone to enjoy. It’s a family-friendly event with kids 12 and under free.
    • Anniversary Party SLUG Magazine celebrates its year anniversary in February with a party featuring talented musicians from across Salt Lake’s strong musical culture and other events like fashion shows, tarot readings and more.
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Review: Hate Eternal – I, Monarch

Posted on August 4, 2005 (September 8, 2025) by Asha Pruitt

I think Hate Eternal had reached “blur status,” and had to take it down a notch. Not bad for three guys from back East. Imagine Suffocation, but less sloppy. … read more

Posted in: National Music ReviewsTagged: #nocturnus, Derek Roddy, Earache Records, Hate Eternal, Mike Browning

Review: Hidden Towers – Olympus Mons

Posted on February 15, 2013 (January 24, 2022) by Asha Pruitt

Hidden Towers = Queensryche + Soundgarden … read more

Posted in: National Music ReviewsTagged: Hidden Towers

Review: High Priest of Saturn

Posted on May 28, 2013 (January 24, 2022) by Asha Pruitt

A classic case of stoner doom by numbers, High Priest of Saturn imitate all the basic components of their chosen genre, but fail to add anything substantial or unique to the mix. Highly hailed with comparisons to Black Sabbath and Electric Wizard, the band’s self-titled debut only resembles these bands by the most generous comparison.  … read more

Posted in: National Music Reviews

Review: Heartless – Certain Death

Posted on June 28, 2013 (January 24, 2022) by Asha Pruitt

Short, hateful and sublimely coated in a venom akin to straight hatred, Certain Death takes a “less is more” approach to affirming the chilling truth of that title: Everything is finite, living is dying and just by existing, we’re slowly ebbing our bodies into a slow and slimy decay. … read more

Posted in: National Music Reviews

Review: Hell – III

Posted on July 23, 2013 (January 24, 2022) by Asha Pruitt

I’d heard of the one-man doom cult Hell at different points over the past few years, but I was never sufficiently interested to actually give the band a listen. … read more

Posted in: National Music Reviews

Review: Honeyslide – Drippin/Deep Architecture

Posted on July 31, 2013 (January 24, 2022) by Asha Pruitt

This double A-side bucks most retro-brain nu-gaze trends by not trying too hard to ape MBV, and just sort of arrives there nonchalantly. … read more

Posted in: National Music Reviews

Review: Holograms – Forever

Posted on October 2, 2013 (January 24, 2022) by Asha Pruitt

Forever uses the upbeat power of nearly unbroken speed to avoid any clashes with boredom while finding identity through unique vocals. … read more

Posted in: National Music Reviews

Review: Heavenly Beat – Prominence

Posted on October 30, 2013 (January 24, 2022) by Asha Pruitt

Prominence expands on the downtempo aesthetic of Talent by incorporating darker, introspective lyrics into the same exuberant sound. Peña’s airy falsetto floats through the tracks here, cozying up with lush loops of nylon strings, steel drums, and New Order–styled harmonica. … read more

Posted in: National Music Reviews

Review: Heaven’s Gate – Transmuting

Posted on October 30, 2013 (January 24, 2022) by Asha Pruitt

I’ve felt starved for feminine vocalists in the upbeat lo-fi community up until Transmuting. Heaven’s Gate mix reverberated guitars and non-stop ride cymbal with a voice between the sustained notes of Best Coast and the tone of Siouxsie Sioux. … read more

Posted in: National Music Reviews

Review: Hickoids – Hairy Chafin’ Ape Suit

Posted on October 30, 2013 (January 24, 2022) by Asha Pruitt

Boom! Right off the bat, I’m hit by the opening song “Fruit Fly” with an upbeat blues guitar solo and organ playing that sounds a lot like Gregg Allman was contributing to the song.  … read more

Posted in: National Music Reviews

Review: His Clancyness – Vicious

Posted on October 30, 2013 (January 24, 2022) by Asha Pruitt

His Clancyness is a solo endeavor spawned by the lead singer of little-known Italian indie group, A Classic Education. Within the first 10 minutes of Vicious, Jonathan Clancy easily demonstrates more of a strength within American melancholic bedroom rock than the average college slacker. … read more

Posted in: National Music Reviews

Review: hERETICS iN tHE lAB – SUTURE

Posted on December 4, 2013 (January 24, 2022) by Asha Pruitt

This is your basic cross between metal and industrial music. It is not horrible, and it’s put together well, but nothing really stands out. The typical, grinding guitar riffs and slower bass lines are reminiscent of those that we have heard over and over at the local strip club. … read more

Posted in: National Music Reviews
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SLUG Mag is one of Utah’s longest-running and most experienced independent magazines. Since 1989, SLUG has given a voice to Utah’s community and continues to expand its coverage in both print and digital media.


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