Retro rocker Deke Dickerson tackles roots music with an authenticity and earnestness that never feels like a gimmick. Most of Deke’s records contain a fair amount of rockabilly along with western swing and any number of genres from blues to jazz, but has focused in on rockabilly on Echosonic Eldorado––that’s certainly not say that this record is boring. … read more
Review: Depeche Mode – Delta Machine
After 35-plus years of making sly and danceable new wave electronica, a band might be forgiven for letting it get a bit stale. … read more
Review: Deerhunter – Monomania
This album is a bit of a change for Deerhunter—a bit less shoegazy and experimental, and a lot more fun. … read more
Review: Decades – Self-Titled
On their self-titled debut full length, Toronto four-piece Decades deliver bursts of ‘80s Brit-pop through echoey shards of shoegaze. … read more
Review: Deap Vally – Get Deap EP
Deap Vally’s first EP sounds like a shitty version of Dead Weather. … read more
Review: Dead Gaze – Brain Holiday
Dead Gaze (AKA R. Cole Furlow) sounds exactly—and I mean exactly—like Nathan Williams of Wavves (most apparent on “A Different Way”). … read more
Review: Deltron 3030 – Event II
The return of Deltron Zero and Automator is finally here to continue the fight against the New World Order in Event II. Packed with an eclectic group of guests, the album opens with Joseph Gordon-Levitt setting the backdrop to what feels like a play as the album progresses. … read more
Review: Dead Hand Projekt – Control
First of all, I was completely amazed when I found out that some of the origins of this band are from Casper, Wyo. Luckily, they ventured out of the one-horse town and came across a Southern California influence. … read more
Review: Dead Waves – Take Me Away EP
For their follow up to June’s Kill the Youth EP, this Queens-based trio fleshes out their penchant for abrasive melodies via six songs of fuzz-blasted caterwauling with a nod to early Pixies. … read more
Review: Dengue Fever – Girl from the North
The tunes are Eastern-ized Western pop, re-Westernized for a new generation—got that? Truly, what they’ve done is really lovely. The music is twinkly and light, and the vocals are enchantingly foreign (female vocalist Chom Nimol generally sings in her native Khmer). … read more
Review: Del Venicci – Haunted Hall
Del Venicci chose a theme—ghosts—and ran home with it. Looking beyond the (sometimes over-) saturated haunting sounds and ghostly wails throughout, the shoegazey love quartet have some pretty solid jams. … read more
Review: Dead Rider – Chills on Glass
Imagine a funky psychedelic trip where the ‘70s meet the ‘90s, minus the angst. “Blank Screen” is a perfect description of what this band is about: smooth vocals, experimental electronic sounds and a funky rhythmic beat. … read more
