Any band that has a song titled “Bruce Campbell” is cool with me, even if it’s only a minute long. In all seriousness, Salt Lake City’s Arsenic Addiction leave listeners wanting more instead of less with their EP Requiem of the Fallen. The band plays a nice, modern metal melodic/heavy mix with no damn chugga chugga breakdowns, thank goodness. … read more
The size, popularity and volatility of the Salt Lake hardcore scene has ebbed and flowed over the years, and it only takes a cursory glance at the posts on grudgecityactivities.com to realize this. However volatile and large or small, the scene is (I remember packed shows at Bricks back in the late 90s and small shows in band practice spaces) something that is never absent is intensity. … read more
I’ve never felt any personal opposition to the recent thrash revival some of us metal fans have been noticing. Written in Fire are not purely a thrash band, but the influences are heavy in every way and I find myself enjoying them quite a bit. … read more
Exer Ovu, the acoustic music project of Derek Griffith, uniquely combines the energy of acoustic punk with the flamboyance of freak folk. Griffith has an expressive voice that he uses mostly to good effect, notably on opener “You’re Making Me Nervous,” a minute-long blast of hoarse four-chord punk. … read more
Every unpaid music critic dreams of writing a critical review of a band’s early release that prompts them to make prescribed changes and then go on to great glory. I know this is a mirage, but still …The .bLARE”, let’s chat. Like any first time director, you have a great first act, but have no clue how to follow that up. … read more
Local CDs are always a mixed bag. 95 percent of the time they suck, and once in a while they 100 percent suck. Unfortunately for my ears, Citizen Fate fell immediately into the latter category. … read more
How do I relate to you the greatness found on this record? In complicated words I could say, The Fully Blown is a heavy hard rock band with post-punk influences and lightly dusted with hardcore inflections, with touches of psychedelic guitar work. Simply put, they fucking rock. … read more
The most striking thing about this record, straight off the bat, is that the all-black plastic CD case has a small castle (temple?) adorned with a sparkly mushroom placed on the middle of the cover—that’s three-dimensionally, sticking out about three inches! … read more
The first release from Utah Heavy Guitar Rock Records is a free compilation with Volume 2 already at its heels. The aptly-titled comp of 10 artists is a stark eye-opener, showcasing some serious guitar chops as well as strong songwriting abilities. … read more
Musically, The Lionelle could easily exist as a simple vehicle for Tate Law’s strange but drop-dead affecting voice. Law’s vocals, if you haven’t heard them, sound like a mix between a collapsed-lung Tim Kasher and an emotionally attached Johnny Whitney. … read more
As I sat at the new Publik Kitchen in the 9th and 9th area, eating an amazing, syrup-drenched, mocha French toast, I could feel this presence of motion—of ideas, as much as utensils, putting feet to the pavement. … read more
The animation in Moana is gorgeous and represents the tropical region flawlessly, but what makes this adventure stand out above the rest is the music. … read more
