Authors: Alexander Ortega
Slamdance Film Review: Huntington’s Dance
Chris Furbee began video recording his journey back to West Virginia as he caught wind of his mom’s worsening battle with Huntington’s Disease 18 years ago. With the backdrop of his home state’s tradition of independence, the Southern laurels of self reliance dissipate as Furbee watched his grandfather battle Huntington’s as a young child, and now his mother, Rosemary Shockey. … read more
Slamdance Film Review: My Blind Heart
Plain and simple, My Blind Heart is a gorgeous film set in Vienna (spoken in German). Kurt (Christos Haas) lives with a rare condition, Marfan Syndrome, from which he is nearly blind. After he kills his mother, he misbehaves to the point of his caretaker’s frustration while living in a home with others with handicaps, playing the part of both a victim of his disease and troubled kid abreacting to his undesirable situation. … read more
Slamdance Film Review: Goldberg & Eisenberg
A single, typical “liberal” computer programmer in Tel-Aviv, named Goldberg (Yitzhak Laor) invests a lot of time meeting women to date online and walking his dog as an extension of his romantic pursuits. Unfortunately for him, he encounters Eisenberg (Yahav Gal), who attempts to make (read: tries to force) Goldberg to be his friend, who demands money and blow jobs from Goldberg—getting under his skin and fomenting dastardly outcomes. … read more
Slamdance Film Review: Kinderwald
John (Frank Brückner) and Flora Linden (Emily Behr) are raising their two children, Caspar and Georgie (Leopold and Ludwig Fischer Pasternak) while John works in a coal mine in Pennsylvania in the mid-1800s. (Their names, along with the word “kinder,” are half the lines of the film.) When the two boys go missing, the couple entreats the surrounding community to help find them to no avail, which brings them some unwanted attention. … read more
Slamdance Film Review: Crimes Against Humanity
As the previews of Crimes Against Humanity suggest, Lewis (Mike Lopez) is an asshole. The opening scene includes him not so passive-aggressively berating his girlfriend, Brownie (Lyra Hill), for not having a job. Crimes Against Humanity functions as an interesting character study of Lewis and Brownie; of an irreverent prick and an unconfident, pitiful mess, respectively. … read more
Slamdance Film Review: I Play with the Phrase Each Other
I Play with the Phrase Each Other is a film solely consisting of phone calls, filmed solely on cell phones and shown in black and white. Director Jay Alvarez, who plays Sean, has constructed a plot where his character urges Jake (Will Hand) to move to “the city”—Portland—to indulge in the glory of the Bohemian life of 20-somethings. Once Jake arrives, though, Sean’s possessions have been pilfered by a junkie with whom he’s staying, and Jake’s “in” to city life is no longer viable. … read more
Slamdance Film Review: Kidnapped for Christ
David is a close-to-4.0 student enrolled in AP classes and an International Baccalaureate Diploma candidate, but once his parents find out that he’s gay, he’s forcibly taken from his home in the early morning and enrolled in Escuela Caribe—a Christian youth correctional school in the Dominican Republic. Here, these born again Evangelicals manipulate biblical doctrine in order to brainwash teens to conform. … read more
Slamdance Film Review: Cheatin’
Cheatin’ is a bit bizarre, but entertaining nonetheless. It’s an animated narrative film that tells the troubled love story of Ella and Jake, which has no dialogue, just grunts and squeals from the animated characters. … read more
Slamdance Film Review: Little Hope Was Arson
Theo Love’s documentary, Little Hope Was Arson, finds communities in East Texas reacting to the burning of 10 churches. The film follows the logic of law enforcement and community members discovering their churches having been torched, one by one, and the trajectory of the investigation. A central figure of the documentary is Christy McAllister, who received a lead that her brother, Daniel McAllister, was a suspect. … read more
Slamdance Film Review: Who Took Johnny?
Who Took Johnny? is a spooky time. This documentary reaches back to 1982, when Johnny Gosch, a West Des Moines, Iowa paper boy, was abducted. Noreen, his mother, has powered on with the search since then up until now. The film initially follows the inaction on part of the local law enforcement to effectively identify Johnny as a missing person (the law used to require 72 hours for the kid to be gone), and initially wrote his disappearance off as him running away until further evidence compounded this assumption. … read more
Slamdance Film Review: Rezeta
Rezeta (Rezeta Veliu) is an Albanian (well, Kosovoan) model looking for more opportunities and advancements in her career in México, but, more so, adventure. Once she’s there, she befriends thasher/hesher/metalhead/punker Alex (Roger Mendoza) as a bit of guide for the city she’s in, who also helps her learn español. Rezeta—very much a free spirit—engages in a couple sexual exploits, and eventually tries to drunkenly kiss Alex, much to his surprise and subsequent abashment. … read more
Slamdance Film Review: After Arcadia
After Arcadia is a ’50s-science-fiction-themed short shot in black and white wherein the protagonist’s internal monologue opens with his guilt for having accidentally decimated humanity with a seemingly nuclear invention that he created. He dilapidates in the boredom of solitude in the bunkers in which the film is shot, which spurs him to create a time machine to reverse his misdeed. … read more
