Authors: Audrey Lockie
Review: Leni Stern – 4
Leni Stern = Hugh Masekela’s ’80s output + Joe Zawinul … read more
A Million Voices from One: An Interview with Pale Spring
Ahead of its release, Pale Spring talk about the process behind and emotional intentions of their fantastic new album, DUSK. … read more
Review: Mukqs – The Quarantine EPs
The six releases that make up Mukqs unofficial series of Quarantine EPs offer a sustained inquisition of Max Allison’s far-reaching musical work. … read more
TALsounds: Living with and through Music
Natalie Chami of TALsounds discusses the crooked path that led to her new album, Acquiesce, and how she learned to trust her music again. … read more
5 Great Experimental Albums from October
The stream of fantastic new releases hasn’t stopped. Here are SLUG’s pick for five great albums of experimental music released in October. … read more
Review: Nicole Oberle – Skin
Nicole Oberle’s newly expanded Skin is an immersive ambient record that delves into the psychological associations of space and place. … read more
Review: Rose for Bohdan – Let the universe howl in...
Let the universe howl in despair is a crucial document of Rose for Bohdan’s decade-long exploration of the fringes of independent and experimental music. … read more
Review: Robedoor – Drunk on Poison: 2005–2008
Robedoor = (AMM x Blind Lemon Jefferson x Melvins)^’60s Pauline Oliveros … read more
Infinity and “I”: An interview with Fire-Toolz
Fire-Toolz’ Rainbow Bridge is a mind-bending excursion that blows up music into a cosmic, surreal land, and it’s only the tip of the iceberg. … read more
Review: Asbestos Lead Asbestos – Empty Message
Empty Message is a jerking roller coaster of corroded electronic collages with the visage of the mangled, hollow husk from a blood-boiling rave. … read more