Slamdance
Slamdance Film Review: Love Dump
Leila Gorstein and Jesse Kendall’s Love Dump had a distinct humor, but much of it feels wasted on genre trappings wrung dry by their ubiquity. … read more
Slamdance Film Review: Unicorn Boy
Slamdance feature Unicorn Boy was a unique romp through a fantasy world and a deep exploration into Director/Animator Matt Kiel’s psyche. … read more
Slamdance Film Review: The Mad Writer
The Mad Writer moves with an urgency deserving of its subject matter, but maintains a light, loose vibe throughout. … read more
Slamdance Film Review: Mad Cats
Mad Cats is a joy to behold. When something’s this much of a blast, looks this good and has this much quality stunt work, how could it not be? … read more
Slamdance Film Review: A Perfect Day for Caribou
A Perfect Day For Caribou’s metaphor is a little obvious, but following Herman and Nate through their shared blood and flawed traits is a quiet fascination. … read more
Slamdance Film Review: With Peter Bradley
In the Slamdance documentary With Peter Bradley, director Alex Rappoport focuses on what’s important both to Bradley and to the audience–the art. … read more
Slamdance Film Review: New Religion
Having time and the ability to perceive it allows us a sense of history. In Keishi Kondo’s New Religion, history is enviable when you have so little of it. … read more
Who’s Annie Stars Annie Pisapia, Sophia Peer and The Burger...
Who’s Annie? is a meta, comedic take on Annie Pisapia and Sophia Peer’s real life friendship and working relationship. … read more
This is Where We Meet: Nina Ognjanović on Where the...
Nina Ognjanović’s self-assessment makes of her debut feature, Where the Road Leads, as a coming-of-age western, makes perfect sense. … read more
Down the Rabbit Hole with Space Happy Director Louis Crisitello
Space Happy expresses a DIY tone, as well as showcasing a feeling of “unachievable fame” that lingers throughout the film. … read more