Music
Review: Origamibiro – Collection
Samples of the guitarist’s creaking chair, sounds of his breath and the squeak of the wood in the guitar were implemented in the songs. It gave a very personal and intimate feel to the album. This album is a lengthy novel in comparison to the norm and is something that should be listened to intently rather than as an accompaniment. … read more
Review: Pow! – Hi-Tech Boom
This record buzzes like a Brookstone orgasm chair, especially the track “Switchboard Scientist,” which swoons like a Funkadelic groove minus the big-band instruments, with added Prozac and guitar dirge. It’s no downer, though. … read more
Review: NOFX – Stoke Extinguisher
I’m not going to try and convince you to like NOFX—if you’ve been around this music at all, then you know who they are and what they do, but this EP is them doing it at their best. … read more
Review: My Education – 5 Popes
This is as post-rock as you can get—intricate guitar melodies, heart-racing riffs, stereotypical drumbeats. Stereotypes aren’t bad, though, and My Education execute what they want so well through their music. … read more
Review: Morbus Chron – Sweven
The album, while retaining similarities of the band’s past, has moved the term “forward-thinking death metal” to new territory. The album, at its core, shuffles the straight-up death metal tag. … read more
Review: Michael Bloomfield – From His Head to His Heart...
This three-disc set is a lot to wade through, and it is so eclectic, treading into jazz and rock regions, I can’t imagine any blues fan, guitar enthusiast or fan of the artists Bloomfield worked with not finding the trip worth it. … read more
Review: Mark McGuire – Along the Way
Along the Way vibes off fluid instrumentation, sort of how “Aqueous Transmission” by Incubus creates a meditative, stoner track to get you in the zone. Once in this mystical environment of sound, the songs meld from these liquid tracks to sounds that are more similar to ’80s hair-metal, with an intense electric guitar dominating the melodies. … read more
Review: Marissa Nadler – July
While a bit cliché, Nadler’s voice is classic sounding, as if she could have come straight from a saloon in the 1920s with her loopy, sinister yet soothing soprano, making this an album I won’t dismiss. … read more
Review: Magik Markers – Surrender to the Fantasy
It’s the introspective turn into a fantasy realm, even if, instead of his grungy stuffed animals, it’s the evocation of some barefoot, unheated ’60s hippie collective walkup, with all the demonism and beauty that implies. … read more
Review: Liars – Mess
The band is now adept in the electronic manipulation they flirted with in WIXIW. Mess moves beyond the yearning of WIXIW and offers an alternative—a cheerfully dark counter to tradition and the world at large. … read more
Review: Laibach – Spectre
Although this release has some of the aggressive, cadence-type music that we are used to, it also has a variety of calmer music styles to it as well. It includes a touch of experimental, drum and bass, EBM and even dubstep on some tracks. … read more
Review: Jupe Jupe – Crooked Kisses
This quartet from Seattle is somewhere between Metronomy and the more emotional side of Duran Duran. Jupe Jupe’s presence, overall, is a bit too mellow for me, but it’s hard not to appreciate such a well-crafted album. … read more
