The Devil Makes Three
I’m a Stranger Here
Devil Makes Three = Blind Willie Mctell + The Pine Hill Haints + Roscoe Holcomb
Few bands can capture the imagination like Devil Makes Three. They invoke deep-woods medicine shows, jumping blues juke joints and midnight hootenannies by moonlight. They’ve sold their souls at the crossroads of blues, hot jazz and old timey acoustic folk music, and when the outcome is the material found on I’m a Stranger Here, no preacher in the land could condemn them. Devil Makes Three have always used simplicity as a strength, but this record has the broadest scope from the band yet. Even when other musicians add their playing to the dynamic, at the center is still DMT doing what we’re used to. I’ve always been taken aback by how well these guys blend different styles of Americana music. They deconstruct American genres and show its genealogical lines. This is acoustic roots music at its very best. –James Orme
There’s a Rat in the Tunnel of Love
Heap O’ Trouble
Trash Monsters = Dead Boys + Social Distortion + Bouncing Souls
Punk rock is best served when it’s not trying to be punk, but when its simply trying to be load, fast, obnoxious rock n’ roll. That’s what Trash Monsters do so well. The whole album has the attitude and elements of early punk, but without any sort of throwback mentality to it. An oft forgotten ingredient of fun can be found firmly at the root of what the Trash Monsters are doing. Everything engages the listener to sing along with the graceful lyrics to bobbing your head to the contagious rhythms or humming along to the catchy hooks in almost every track. Is this your most blistering in-your-face version of punk rock out there? Not even close, but its well crafted, thoughtfully written and, dare I say, soulful at places. Which I have to say is a way more impressive feat than playing super fast. I hope to hear more from these Trash Monsters. –James Orme
Eli “Paperboy” Reed
My Way Home
Eli “Paperboy Reed = J.C Brooks + Otis Redding + Wilson Picket
It’s interesting to think about a voice and what makes a great voice, because it’s essentially that person pouring themselves out—at least, when it’s done right. I feel that I know the vocalists I admire better than, say, the drummers I admire, but is that me taking a romantic point of view, or do we really get personality and character from the vocalist of a song? Eli “Paperboy” Reed is my Exhibit A when it comes to my theory. I can’t think of anyone singing soul today who is more stirring, more fervent and more earnest in their delivery than Reed. So much of Eli Reed comes through on My Way Home. Even the cover of “Cut Ya Down” he makes all his own, so much so that I almost forgot that Johnny Cash and Elvis both did a version of this song. Reed’s version is something to come out of Muscle Shoals in the late ’60s—it’s so damn greasy.
Further proof that Reed is the real deal when it comes to singing with his full self: When he’s not touring and recording, he teaches gospel choir music to inner-city teens in Harlem because he believes that having that kind of creative outlet is important. My Way Home seems to be a new chapter for Reed, in that there is a new spirit in his writing and arrangements. In a way, it’s also a return to form, sounding closer to his debut record, Walkin’ and Talkin’, which definitely has a similar vintage sound. My Way Home carries a maturity and a weight that only comes from experience, which allows the music to use vintage elements without sounding like Reed is trying to sound like a recording from the ’60s. The title track is a great example of how Reed owns the song, but I can hear many influences, from Sam & Dave to Al Green. This soul song of praise is gutsy and powerful. This is Reed laying it all out and just going for it. If you’re looking for the rocker of the record, ”The Strangest Thing” is just what the doctor ordered. If you don’t feel the compulsion to get up and dance while listening to this tune, check the obituaries because you might be dead.
I love the world we live in, where artists like Leon Bridges, Charles Bradley and Eli Reed are going to be artists that people can see perform to have this music live and breathe in front of them. Reed has the ability to show audiences what soul music can do and just how compelling it can be. –James Orme