Review: Lords of Chaos: The Boodly Rise Of The Satanic Underground

Review: Lords of Chaos: The Boodly Rise Of The Satanic...
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LORDS OF CHAOS: THE BLOODY RISE OF THE SATANIC UNDERGROUND (REVISED SECOND EDITION) MICHAEL MOYNIHAN AND DIDRIK SODERLIND Feral House Books Street: 11.01.03 If you are into black metal in any way, read this! It will give you an understanding of what black metal is and of the definite divisions that exist within its ranks.

Review: GOD SAVE MY QUEEN: A TRIBUTE – DANIEL NESTER

Review: GOD SAVE MY QUEEN: A TRIBUTE – DANIEL NESTER
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GOD SAVE MY QUEEN: A TRIBUTE DANIEL NESTER Soft Skull Press Street: 04.2003 In Daniel Nester’s simultaneously lyrical and obsessive treatment of Queen’s musical and metaphysical legacy, both band and ostentatious frontman Freddie Mercury are offered far greater fates than the reputation that precedes the group’s recognizable work, i.e., “Bohemian Rhapsody,” and Mercury’s highly publicized

Review: PICNIC GROUNDS: A NOVEL IN FRAGMENTS – OZ SHELACH

Review: PICNIC GROUNDS: A NOVEL IN FRAGMENTS – OZ SHELACH
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PICNIC GROUNDS: A NOVEL IN FRAGMENTS OZ SHELACH City Lights Street: 04.01.03 Composed in a clean literary style devoid of muddied metaphors and overarching allegories, the hauntingly brief vignettes of Oz Shelach’s Picnic Grounds are guided by the concept of the commons: a series of publicly utilized resources, plots of land and amorphous societal rights.

Review: NOISE OF THE WORLD: NON-WESTERN ARTISTS IN THEIR OWN WORDS

Review: NOISE OF THE WORLD: NON-WESTERN ARTISTS IN THEIR OWN...
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NOISE OF THE WORLD: NON-WESTERN ARTISTS IN THEIR OWN WORDS HANK BORDOWITZ Soft Skull Street: 01.20.05 Don’t tell Condi, but imperialism is bad. That’s not necessarily so, however, when it comes to music. While it’s ironic that whiteys like David Byrne, Peter Gabriel and Paul Simon have opened up the world’s music to the West,

Review: DARKER BLUES – DAVID RACCUGLIA

Review: DARKER BLUES – DAVID RACCUGLIA
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DARKER BLUES DAVID RACCUGLIA Fat Possum Records  Street: 02.01.03 Fat Possum’s motto is “We’re trying our best,” and I’d say their best is damn good enough. This is a beautifully papered, beautifully bound book with artsy, full-color photographs of the Fat Possum roster of Mississippi’s second generation of original bluesmen with a two-disc label sampler