“I think that over the years, the gatekeepers—the studio gatekeepers—have now become fewer, because I think with a film festival like Slamdance, the way that it’s programmed has shown that you don’t have to then be anointed, as it were, by a studio member to say that you can come in and now you can do this. Slamdance has played its part in helping to break down that barrier.” … read more
DIY or Die: An Interview with Peter Baxter of Slamdance