Is there a set of specifications to be considered a Clockwork punk band? Because I’d imagine that The Adicts would be an example that most bands would look to. … read more
Review: White Orange – Onawa
After a relatively successful and intriguing debut album, White Orange appear to be stepping away from the snappy rock tunes of their self-titled and into the realm of spacey atmospherics. … read more
Review: Witch Cross – Axe to Grind
There’s always something refreshing about a legitimate ’80s metal band getting back together, but it’s rare to see such an enormous gap between their releases. … read more
Review: Willy Moon – Here’s Willy Moon
Here’s Willy Moon sounds like a dark night on a hot city street. It’s hard to define because it’s bustling like a hundred cars, yet has a consistent and unique sound. … read more
Review: Witherscape – The Inheritance
Dan Swano is back with a force. Well, back with musical creation—not producing on—his mind. … read more
Review: VIZA – Made in Chernobyl
I bought the album Made in Chernobyl from VIZA when they were opening up for Gogol Bordello last August, and I fell absolutely in love with it. … read more
Review: Willis Earl Beal – Nobody Knows
With his sophomore album, Willis Earl Beal has shown that he can deliver powerful hits without sacrificing the raw honesty that was delivered through CD-Rs scattered throughout Albuquerque before he got a record deal. … read more
Review: Warmaster – The End of Humanity
Chunky, even what I’d describe as blocky, riffs dominate the album, with a bottom-end filled out by a syrupy thick bass sound continuously rip out the riffs to satisfy any old school death metal fan’s palate. … read more
Review: Widowspeak – The Swamps EP
It doesn’t seem to be a coincidence that The Swamps’ release date is just a few days before Halloween. Spiderwebbed banjo layered with Molly Hamilton’s blustery, beautiful vocals and crisp, distant guitar riffs make this a quintessential fall release. … read more
Review: Warmaster/Humiliation – Self-Titled Split
Disregard the full-length’s display—this is a track-exclusive release and meant to be played on turntables pumping the deadskin collection that continuously builds up in your speakers back into your nasal cavity. Vinyl hoarders take note: This release is on nice, blood-splattered wax and limited to 500 copies. … read more
Review: Weekend Nachos – Still
John Hoffman’s vocal plasticity, which ranges from harrowing shrieks to guttural bellowing and intermittent grooving (“Yes Way” and “Broken Mirror”), compares to others of the ilk. Ultimately, though, the band plies their wares where the most bread gets buttered: punishing power violence with an occasional metal flourish. … read more
Review: Weird Owl – Healing
Brooklyn psych band with personal and label support from Anton Newcombe—that tagline should be enough of a selling point for many people interested in this record. Reverb and overdrive are more prominent effects than fuzz on Healing, setting it apart somewhat from previous Weird Owl releases. … read more
