Juliana Hatfield = Olivia Newton John + Liz Phair + Matthew Sweet … read more
Review: Juliana Hatfield – weird
Review: Jungle Rot – Fueled By Hate
Jungle Rot Fueled By Hate Century Media Jungle Rot is back with their third full-length release, Fueled By Hate. Is it really three different albums, or is it the same album released three different times? I mean, seriously, these guys pull off a decent mid-tempo death tune, but isn’t there anything else to warrant a
Review: Knee Deep – I Won’t Let You Down
KNEE DEEP “I WON’T LET YOU DOWN” Knee Deep USA Soulful and thrusting grooves are the trademark of the infamous Knee Deep boys. Basti and Toddie, both in production and DJ-ing, are never too sophisticated or stuffed with loops, yet have managed to combine soul, funk and Latin into a sound that is downright charming. “I
Review: K.O.T Feat. Haze – Dreams
K.O.T. FEAT. HAZE “DREAMS” Defected Records From Kings of Tomorrow, including headman Sandy Rivera (“Finally” and “Changes”) comes the hit of the summer. The first edition of this release comprises Spanish boys Chus and Ceballos. Promised to be engineered for the New York and Ibiza megaclubs, this track is full of tribal sounds underlying the
Review: Jim Guthrie – Now, More Than Ever
JIM GUTHRIE NOW, MORE THAN EVER Three Gut Jim Guthrie spins out warm and wistful folk that has received so many fantastic reviews I can’t quite figure out why I’m not moved. Lyrically, it doesn’t strike me as anything close to a Bob Dylan, Simon & Garfunkel or Joni Mitchell. Musically, it doesn’t impress me
Review: Kenshryo – Remember the Summer
KENSHRYO “REMEMBER THE SUMMER” Map Dance Records From Mr. Mike and Daniel Walther’s Swiss-based label Map Dance comes a soulful jazzy groove. Produced by newcomer Kenshryo, this track adds another colorful touch to the wonderful catalogue of the one-year-old label. It ncludes two remixes by UK-based production team Audiowhores (Adam Unsworth and Graham Lord), who
Review: Kattoo – Places
KATTOO PLACES Hymen 5/5 Originally Kattoo (Volker from Beefcake) was commissioned to do the soundtrack for a low-budget German porno that featured midgets and de-clawed cats. But when the deal fell through, rather than trashing his work, he decided to “beat it over the head with a techno and an industrial baseball bat”. I’m not
Review: Jon Cutler Feat. Pete Simpson – Runnin’
JON CUTLER FEAT. PETE SIMPSON “RUNNIN’” MN2S Records Cut from the stone of New York’s concrete jungle, this gem of a track, in its soulful and deep glitter, is more than a promise. Produced by Jon Cutler and featuring the smooth vocals of Pete Simpson, this lover of groove includes keyboards from Mike Patto (Reel
Review: Juke Joint – Baby Don’t Cry
JUKE JOINT “BABY DON’T CRY” Look At You Records From Denver’s Look at You Records, we have the latest release from this superb label. Featuring the vocal talent of Earl Bennett, this modern-day percussive ride takes you on an “old school” feel. Comparable to early recordings by Murk and Kings of Tomorrow (KOT), this
Review: Kiko Navarro Feat. Marcel – M.U.S.I.C
KIKO NAVARRO FT. MARCEL “M.U.S.I.C.” (Bubble Soul Re-Edits Volume 1.) = (Jay-J/Marquez/David Gomez/DJ Pippi) Bubble Soul Records Pachas’ very own Kiko Navarro, doing it again. Featuring the words of Marcel, “Music” is by far one of the choicest spoken-word tracks to date! Varying from each mix, this 3-tracker carries organ stabs and synth sweeps
Review: Joey Negro – In The House
Joey Negro In The House Defected Records What does Joey Negro, Akabu, Raven Maize, Sessomato, and the well-known Jakatta (Remixer of “American Dream” from movie American Beauty) have in common? These diverse dance-floor anthem originators share the same mind—Dave Lee. Releasing more hits than any other UK producer and remixer, Dave Lee (JN) is
Review: Kasabian – Self-Titled
Kasabian Self-Titled RCA Kasabian have been a guilty pleasure of mine since hearing the opening of “Club Foot.” Granted, they aren’t completely original. You can pinpoint various points in Manchester’s history of music that pop up in abundance throughout the album, fitting in somewhere post-Happy Mondays and the Charlatan’s happier days with a dash of
