FIDLAR = The Pixies * (Jack White + The Lillingtons) … read more
Review: FIDLAR – Almost Free
FIDLAR = The Pixies * (Jack White + The Lillingtons) … read more
Ex Hex is playing by their own rules. It’s Real maintains its own space with tight, cool rock n’ roll made of the bleeding heart of a tender soul. … read more
Florist = Sybille Baier + Diane Cluck … read more
FIVER LET IT ALL FALL DOWN Devil in the Woods Fiver encompasses dream pop that at times reminds of Postal Service because of the falsetto over-electronic elements, but more often than not, the guitars push away the comparisons. This is more akin to the shimmery pop that dominated the U.K. and American College charts in
FAIRLIGHT CHILDREN 808 BIT SPV 5/5 I honestly was not going to review this CD because, first of all, I’m still a little shy about admitting my newfound love for Apoptygma Berzerk and coming out of the closet recently with that whole thing. And second, because Fairlight Children really don’t fit in this genre (even
Ffa Coffi Pawb Am Byth Empyrean Before Gruff Rhys was mesmerizing the world with Super Furry Animals, he and a cast of characters who would go on to play in Gorky’s Zygotic Mynci, Mogwai and Cornelius were kicking around Wales as Ffa Coffi Pawb. Am Byth is a compilation pulled from their three albums and
What’s better than getting a new CD from Converter? Getting two! Two discs and 31 tracks of unreleased material, live mixes and remixes from Displacer and Prospero. … read more
In the songs of Fidlar, with titles including “Cheap Beer” and “Wake Bake Skate,” and lyrics like, “I drink cheap beer so what fuck you,” the subject matter reminds me of a less trashy take on The Trashies. … read more
After acknowledging such artists as Harry Nilsson and Frank Ocean as grounding inspirations in creating Elite Lines, Mike Fiore of Faces on Film laid no waste in implementing their styles within his own contributions to the ever-advancing genre of contemporary pop. … read more
This is a release that invites a personal connection from the listener. There has obviously been some personal growth prior to and during the production of this album on Faderhead’s part—there is a lot of emotion put into the lyrics. … read more
Like blind men in a theater, we’re taken through a cinematic story of sounds: Lush vistas of synth and layered orchestrations, courtesy of Brian McKenzie, pillow strong operatic vocals from Claudia Gregory, whose voice is rarely off-pitch and acts as a striking complement to the vast soundscapes. … read more
The moment the vocals come in on Midnight Passenger’s opening track, “Shattered Circle,” you might notice yourself thinking, “Hell yeah, young people with a new take on late seventies/early eighties L.A. punk.” … read more