I’m one of those that can say they’ve worked on Main Street and Broadway in Salt Lake City for most of their adult life. Those of us who all go to AJ’s Market every day and talk to Omar, normally pass by the Off Broadway Theatre (OBT) before or after convenience shopping. OBT also sounds like a violent contractible disease
Little Women is easily one of the best films of 2019, and it’s a Christmas gift that solidifies its director as one the great cinematic voices of our time. … read more
Underwater has been sitting on the shelf for a year and a half, and its release feels more like a formality than anything else. … read more
Futurebirds = My Morning Jacket + Kurt Vile + A Dash of Craig Finn … read more
The Jan. 11 Sensory Illusion event was only the third installment of the Sagans Youth gallery, and there were an estimated 300 people in attendance. … read more
The synopsis of Zeina Durra’s Luxor sounds more like a genre-typical travel romance than what’s delivered. Luxor is closer to a quiet, art-house character study. … read more
Summer White (Blanco de Verano) doesn’t offer traditional payoffs that we may want or expect as viewers, and it’s certainly better for it. … read more
Miranda July’s Kajillionaire weaves protagonist Old Dolio Dyne (Evan Rachel Wood) into a life of con artistry and emotional neglect. … read more
Bad Hair is the kind of film that I think most audiences want to see at Sundance. It’s good, draws from cultural folklore, and pushes boundaries accessibly. … read more
Possessor is fucked up. It’s a great Midnight category movie, and let it be known that there is intense body horror and violence. … read more
When it comes to nature documentaries, there’s the Animal Kingdom dimension that also is a measure of success. For this, I needed my trusty nature-doc buddy: Babyface. … read more
La Llorona is a good way to get your fix for a socially aware, supernatural psychological/revenge thriller at Sundance 2020. … read more
