The synopsis of Zeina Durra’s Luxor sounds more like a genre-typical travel romance than what’s delivered. Luxor is closer to a quiet, art-house character study. … read more
Sundance Film Review: Luxor
The synopsis of Zeina Durra’s Luxor sounds more like a genre-typical travel romance than what’s delivered. Luxor is closer to a quiet, art-house character study. … read more
Summer White (Blanco de Verano) doesn’t offer traditional payoffs that we may want or expect as viewers, and it’s certainly better for it. … read more
Miranda July’s Kajillionaire weaves protagonist Old Dolio Dyne (Evan Rachel Wood) into a life of con artistry and emotional neglect. … read more
Bad Hair is the kind of film that I think most audiences want to see at Sundance. It’s good, draws from cultural folklore, and pushes boundaries accessibly. … read more
Possessor is fucked up. It’s a great Midnight category movie, and let it be known that there is intense body horror and violence. … read more
When it comes to nature documentaries, there’s the Animal Kingdom dimension that also is a measure of success. For this, I needed my trusty nature-doc buddy: Babyface. … read more
La Llorona is a good way to get your fix for a socially aware, supernatural psychological/revenge thriller at Sundance 2020. … read more
We’ve locked up the guitars, tied up the singers and hidden the drums to allow comedy to take over Urban Lounge for the comedy showcase of SLUG Localized. … read more
The year is coming to an end, and that means that it’s time to talk about the best films of 2019, and there were a lot to choose from this year. … read more
Cats is barely even an interesting failure. It’s unlikely to please much of anyone and should probably just be put to sleep. … read more
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Zachary and Sarah Sherman’s Thunderbolt In Mine Eye captures a 2019 vision of young romance, following two teens entering an awkward but solid relationship. … read more