Tragic and big gothic rock doesn’t happen anymore. It’s just not ironic enough these days. Apparently, Sleep Slid IN didn’t get the memo, and thank the gods for that! … read more
Local Reviews: Sleep Slid IN
Tragic and big gothic rock doesn’t happen anymore. It’s just not ironic enough these days. Apparently, Sleep Slid IN didn’t get the memo, and thank the gods for that! … read more
Opening track “No Sense of Rhythm” starts this album off promisingly with propulsive drums and taut New Wave guitar, culminating in an arena-era Police-esque chorus. Considering Chris DeVito learned drums to record this album, it’s impressive how percussion-centered the album is. … read more
If Striation could learn the difference between brooding and moody, “Memories We’ll Keep” could have been a great radio single 10 years ago. I am not being sarcastic, “Memories We’ll Keep” has the loud-soft dynamic, reverby vocals, driving bass and simple power chords that dominated the ubiquitous, qualifier-driven alternative rock of the late nineties. … read more
I have listened to this tape over 1000 times now, no joke. There is something about booty house music that is so refreshing in a world of music where everyone takes themselves so seriously. MSSV Music has probably the best lineup of artists testing out new musical paths right now, and they offer free mixtapes from their site regularly. … read more
Any band that has a song titled “Bruce Campbell” is cool with me, even if it’s only a minute long. In all seriousness, Salt Lake City’s Arsenic Addiction leave listeners wanting more instead of less with their EP Requiem of the Fallen. The band plays a nice, modern metal melodic/heavy mix with no damn chugga chugga breakdowns, thank goodness. … read more
The size, popularity and volatility of the Salt Lake hardcore scene has ebbed and flowed over the years, and it only takes a cursory glance at the posts on grudgecityactivities.com to realize this. However volatile and large or small, the scene is (I remember packed shows at Bricks back in the late 90s and small shows in band practice spaces) something that is never absent is intensity. … read more
I’ve never felt any personal opposition to the recent thrash revival some of us metal fans have been noticing. Written in Fire are not purely a thrash band, but the influences are heavy in every way and I find myself enjoying them quite a bit. … read more
Exer Ovu, the acoustic music project of Derek Griffith, uniquely combines the energy of acoustic punk with the flamboyance of freak folk. Griffith has an expressive voice that he uses mostly to good effect, notably on opener “You’re Making Me Nervous,” a minute-long blast of hoarse four-chord punk. … read more
Every unpaid music critic dreams of writing a critical review of a band’s early release that prompts them to make prescribed changes and then go on to great glory. I know this is a mirage, but still …The .bLARE”, let’s chat. Like any first time director, you have a great first act, but have no clue how to follow that up. … read more
Local CDs are always a mixed bag. 95 percent of the time they suck, and once in a while they 100 percent suck. Unfortunately for my ears, Citizen Fate fell immediately into the latter category. … read more
How do I relate to you the greatness found on this record? In complicated words I could say, The Fully Blown is a heavy hard rock band with post-punk influences and lightly dusted with hardcore inflections, with touches of psychedelic guitar work. Simply put, they fucking rock. … read more
The most striking thing about this record, straight off the bat, is that the all-black plastic CD case has a small castle (temple?) adorned with a sparkly mushroom placed on the middle of the cover—that’s three-dimensionally, sticking out about three inches! … read more