After three years, DZ Deathrays have returned to the United States. For the last eight years, the Australian duo of Shane Parsons and Simon Ridley have showcased their dance-punk anthems around the world. Their shows have a wild and loud reputation, and their music attracts all kinds of listeners from hardcore enthusiasts to EDM artists. … read more
The Hung Ups are back with their sophomore full-length, and they’re as catchy as ever! DotDB is tight and the guitars cinch each song together with intricate leads such as in “Donkey Lips.” … read more
With hazy guitar sounds and strong percussion, Burning Olympus encompasses the energy of White Rabbits and the low grit of The Black Keys in their first full-length album, Going Nowhere. … read more
Rich and elegant, this album really does go down just like a mug of delicious hot chocolate. The music is beautiful, the instrumentals are neat and specific and the production is excellent. Joining the likes of John Mayer with seductive vocalizations, the whole album was a straight through easy-listen. … read more
Produced by Fisch Loops, this half pack is a testament to the creativity and reach of Dusk One. Made from sounds of the Brady Bunch, these often mellow, feel good beats are teamed up nicely with the lyrical lambasting from Dusk One. … read more
This funky little EP was pieced together entirely out of samples taken from that educational show from the ‘70s, “The Electric Company.” The unlikely source material yields some downright classic-sounding grooves, bringing to mind Lifesavas’ Gutterfly or some Curtis Mayfield in its homage to the decade of funk with a capital “F.” … read more
Jesus or Genome is the new project from Mike Cundick, guitarist and occasional screamer of local rockers Loom. Those expecting the same sharp guitar licks and chaotic energy of Cundick’s other band are in for a surprise, as Jesus or Genome is a much more mellow affair, featuring only Cundick’s voice over an acoustic guitar. … read more
Bring it Back in Me is meandering, rote dirge rock. The band, at its most successful, recalls the gothic country of Songs: Ohia. At its least successful points, the vocals sound one take away from being finished, and there’s a flute needlessly warbling all over the track. … read more
On the surface, Coyote seems to have been thrown together in a home studio with little thought or organization behind it, but in reality that impression serves as perfect camouflage for a very eclectic album. Bentley’s light voice and equally lighthearted stage presence have made this singer/songwriter a secret favorite around Ogden. … read more
At first glance, Fuzzy Halo appears to be the standard singer/songwriter album you’d find at the merch booth for Lilith Fair, but Tebbs did her best to stray away from the singalong sympathy of “every woman.” … read more
Love obscure abstract hip hop? Pop Gun War does the experimental wave of futuristic sounding tracks extremely well. These are the type of beats machines would make if they had minds and wanted to create songs that machines would listen to. … read more
Poetry on Acid 23 is a stream-of-consciousness collection of short ditties, expressive but simple, about everything from Wal-Mart to suicide. … read more
