I want to hate this record. But as a matter of fact, this is one of the best records I’ve heard this year. Excuse me while I go put it on again. … read more
Stiff Sheet
I want to hate this record. But as a matter of fact, this is one of the best records I’ve heard this year. Excuse me while I go put it on again. … read more
I found the voice irritating and the music tepid. The strings don’t help. I’m wondering why Tammy Rogers contributed her considerable talent to this record. … read more
I had an in-depth discussion about indie rock’s relationship to basketball, his song “THE TANK” and his view of the Jazz’s prospects in the coming years. … read more
There’s something fitting about Hunting Matthew Nichols coming from artists whose roots are so deeply embedded in the theater, like Miranda MacDougall. … read more
Mark’s Keyboard Repair is Money Mark’s his solo debut record, and it’s easy to draw a line between his solo musings and the jazz and funky forays of the B-Boys. … read more
Around My Neck is an addictive explosion of sound broken by moments of sobriety. Suture’s debut EP interrupts and introduces violent static with calm melodies. … read more
As the only hand lettering conference in North America, LetterWest is both a celebration and a community event for artists working in lettering. … read more
Here’s the lowdown: I got the record and the review goes like this. Good music, bad lyrics, piss fountain, blood… The record was too short to judge it well. … read more
As Samara Cyn’s sophomore project, the EP Detour enraptures your mind and attention in just 19 minutes. The production is mostly done by Two Fresh and Pera. … read more
I hope they take risks and add a layer of atmosphere. Either way, I expect ULTRA SUNN to keep packing the dance floor for as long as they’re wanting. … read more
Under the glow of stage lights, Poison Grace commands the room. She enchants the crowd with her creativity, precision, control and impossibly long legs. … read more
Electric Outlaws’ debut record Brain Eating Amoeba is “uncompromisingly” digital-sounding. Its general MIDI soundscapes sound straight out of 1998. … read more