The Glitch Mob @ The Complex w/ Asa Sia - SLUG Magazine

The Glitch Mob at The Complex

The Glitch Mob at The Complex - The Glitch Mob, similar to other bands like the Aqua Bats or or 3OH!3, have their own hand sign, which they raise up for their pre-encore exit finale.

Photo: Garrett Allen

Concert

Continuing their tour after the Coachella Music Festival, The Glich Mob, along with Penthouse Penthouse and Asa Sia, played at the Complex in Salt Lake City Utah on April 28.

Photography by Garrett Allen

Read SLUG’s review of the show here.

The line for the concert wrapped along The Complex and down the road towards I-15. Photo: Garrett Allen Photography

Gabe Stout (L) and Indy Heaton (R) stand in line, beyond excited for their first time getting to see The Glitch Mob in person. Photo: Garrett Allen Photography

The Glitch Mob selling a tour only print featuring artwork for their touring album Love Death Immortality. Photo: Garrett Allen Photography

Besides the normal concert swag,The Glitch Mob also had everything from hats and jewelry to flasks and leggings. Photo: Garrett Allen Photography

Mike Parvizi of LA’s Penthouse Penthouse rocks the show solo instead of the usual duo that makes up their group. Photo: Garrett Allen Photography

Mike Parvizi holds up his controller with an excited grin, his love for what he does evident throughout his performance. Photo: Garrett Allen Photography

The simple two toned lighting set a very chill vibe for the first half of his set, which followed with some complex and dynamic lighting as his set grew even more complex and energetic. Photo: Garrett Allen Photography

Mike Parvizi’s solo act seemed to be well accepted by the eager crowd, many who were hearing these songs for the first time. Photo: Garrett Allen Photography

Female DJ Ana Sia’s high energy performance kept the growing excitement going among the crowd, her attitude while performing dispersing any gender biases that often follow up-and-coming female DJs. Photo: Garrett Allen Photography

Ana Sia is hovering over her deck, as she creates the soundscape and pulsing beats that the EDM crowd is soaking up. Photo: Garrett Allen Photography

The front of the crowd is eagerly awaiting the start of the headliner, some focused on the music in front of them, while others excitedly guess which Glitch Mob songs will be played. Photo: Garrett Allen Photography

A concertgoer spinning LED poi in the crowd as Ana Sia provides the music fueling the unique and visually stimulating art. Photo: Garrett Allen Photography

Sterling Beecraft (aka Waves), gloving and putting on a show for mesmerized watcher Reese Higbee. Photo: Garrett Allen Photography

Another dancer with a different type of LED Poi loses himself in his spinning. Photo: Garrett Allen Photography

Poi come in all types from simple sock Poi to LED Poi that create patterns and pictures when spun, some costing hundreds of dollars. Photo: Garrett Allen Photography

Sasha Alexandra, barely visible in the shadows, tries gloving for the first time, giving a show to experienced glover Morse (aka Gumby). Photo: Garrett Allen Photography

Photographer J. Miguel Mendoza leans over the crowd to capture their excitement, as the crowd themselves light up with a chance to get in the shot. Photo: Garrett Allen Photography

The mysterious covered that lingered in the background of the earlier performers’ sets is uncovered. The headliner “The Glitch Mob” appears as futuristic silhouettes cast amongst a background of blinding lights. Photo: Garrett Allen Photography

EdiT of the Glitch Mob raises his hand, the audience following along with him. Photo: Garrett Allen Photography

The visuals were just as good as the sounds coming from The Glitch Mob. It all would have felt more appropriate to be a called an experience rather than just a concert. Photo: Garrett Allen Photography

Through almost the entire performance of the Glitch Mob, the entire crowd was either raising their hands to the music or raising their phones to capture it. Photo: Garrett Allen Photography

EdiT (Edward Ma) throws up the “rock on” as the pounding sound of the bass from actual drums are being played by Boreta (Justin Boreta). Photo: Garrett Allen Photography

It is standing room only, and barely that by mid-performance of The Glitch Mob at The Complex in Salt Lake City, Utah. Photo: Garrett Allen Photography

The Glitch Mob, similar to other bands like the Aqua Bats or or 3OH!3, have their own hand sign, which they raise up for their pre-encore exit finale. Photo: Garrett Allen Photography

At the end of their second, post-encore finale, the Glitch Mob have the crowd throw up the hand sign again so they can take their usual picture with the crowd behind them. Photo: Garrett Allen Photography

The crowd keeps their hands up as the lights fade to black, hoping that Glitch Mob returns to Salt Lake City again soon. Photo: Garrett Allen Photography

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