“Look at that moon!” says Eli Morrison, pointing up to the luminous body in the sky as I am about to enter the Man Vs. Music studio to interview him and his latest project, The Moths, about their impending release, titled Necromancy: Rock & Roll. It’s the smallest full moon of the year, yet seemingly immense in its implications, its portents, its power: evoking the elusive, mysteriously potent subjects of the sounds produced within these walls.
A perfect backdrop of charming, wet, dreary weather characterizes tonight’s performance. After walking into Urban Lounge and finding myself in a large, empty room, I was concerned about the turnout. However, my venture through the downpour is certainly not in vain, nor will the gig’s contribution to my eventual loss of hearing be wasted. … read more