Issues: Issue 301 - January 2014
Review: TOY – Join the Dots
London’s TOY have already kicked up a stir across the pond, getting themselves on a number of high-ranking “Best Of” lists with their 2012 self-titled debut. … read more
Review: Trentalange – Same Illusion
Opening with slow drums and an upper-register metronomic piano, Trentalange keeps it simple and dark, yet still poppy. … read more
Review: The Last Ten Seconds of Life – Invivo[Exvivo]
Looking at the cover is all you’ll need to decide whether you’re going to like these guys or not. You know what you’re getting into—throat-tearing screams, breakdowns and amateur lyrics. Taking cues, nods and riffs from the rest of their brethren, it’s not original, but it sounds great. … read more
Review: The Mast – Pleasure Island
For their debut album, this Brooklyn-based duo pleases the listener with a relaxing experimental electronic album that features beautifully harmonized female vocals paired with synthesized drumbeats, similar to the Garage Band style production favored by acts like Grimes. … read more
Review: The Pack A.D. – Do Not Engage
The follow-up to 2011’s Unpersons, Do Not Engage again finds The Pack deep inside the blues-rock universe with some sharp, tight guitar riffs and soulful, rough-spun vocals from Becky Black and driving rhythms from Maya Miller. … read more
Review: The Rebel Set – How To Make a Monster
The ultra-quick single-string picking that opens How To Make A Monster drowns in wet reverb the way The Ventures did it. … read more
Review: The Crystal Method – Self-Titled
For their fifth studio album, The Crystal Method created a refreshing twist on what most electronic artists are currently producing, using heavy synth and rock elements to blow the minds and speakers of its listeners. … read more
Review: The Devil Makes Three – I’m a Stranger Here
Few bands can capture the imagination like Devil Makes Three. They invoke deep-woods medicine shows, jumping blues juke joints and midnight hootenannies by moonlight. … read more
Review: Synkro – Lost Here EP
This EP reflects the softer, more experimental side of dubstep that got its start in the UK. Dreamy vocalist Robert Manos graces half of the EP and makes the album easy to listen to. … read more
Review: Take Berlin – Lionize EP
Nothing induces a hypnotic state of relaxation like pulses of the gentle, vibrato Wurlitzer notes that fill Lionize. In fact, the dreamlike Wurlitzer, along with a clean acoustic guitar, make up the majority of the album’s instrumentation. … read more