Month: April 2014
Local Review: Black Seas of Infinity/The Red Path – Ophitic...
There’s something about opening the package containing this split cassette release, pulling a black cassette tape wrapped in shed snakeskin out of the plastic case with some strange symbol/logo on it. … read more
Local Review: Better Taste Bureau – The Better Taste EP
If I ever dedicate my life to douchebaggery and join a frat, this’ll definitely be my go-to jam for hosting Jack Mormon, butt-chugging parties. … read more
Local Review: Q1 – The End Is To Begin
Anyone that pays homage to Eminem on his album has my respect. Q1’s debut solo album, The End is to Begin, has such a unique sound that exemplifies his passion for hip-hop. … read more
Review: Ghetto Ghouls – Self-Titled
After surviving the brutal assault of “Peepshow,” I can see the subtle brilliance that makes Ghetto Ghouls something special. … read more
Review: Future Death – Special Victim
Future Death is a relatively new and explosively addictive noise/punk outfit emerging from Austin, Texas. Their new LP, Special Victims, is an assemblage of lo-fi tracks containing chaotic rock tracks thinly glossed with infrequent pop hooks—each delivering a mildly sweet flavor followed by an incredibly sour bite. … read more
Review: Frances England – Paths We Have Worn
I can see it now: Visions of mommies on Pinterest from all over the blogosphere will pin a picture of this “indie-rocker” girl with all sorts of hashtags littering the title: #cute #seriouslyadorable #indiemusic #fashion! … read more
Review: Faces On Film – Elite Lines
After acknowledging such artists as Harry Nilsson and Frank Ocean as grounding inspirations in creating Elite Lines, Mike Fiore of Faces on Film laid no waste in implementing their styles within his own contributions to the ever-advancing genre of contemporary pop. … read more
Review: Faderhead – Atoms & Emptiness
This is a release that invites a personal connection from the listener. There has obviously been some personal growth prior to and during the production of this album on Faderhead’s part—there is a lot of emotion put into the lyrics. … read more
Review: Feel No Other – Self-Titled
Like blind men in a theater, we’re taken through a cinematic story of sounds: Lush vistas of synth and layered orchestrations, courtesy of Brian McKenzie, pillow strong operatic vocals from Claudia Gregory, whose voice is rarely off-pitch and acts as a striking complement to the vast soundscapes. … read more
Review: Doug Tuttle – Self-Titled
From the moment the first track starts, you will immediately feel as though you are listening to a record from your odd uncle’s collection acquired during his “experimental phase.” … read more
Review: Document – Reset Your Mind EP
Tel Aviv seems to be abuzz with great indies of late who, perhaps tired of political baggage, are making their music make a scene. Unlike fellow Levantines in the ‘90s-vibing shoegaze band Vaadat Charigim, though, Document’s Nir Ben Jacob sings in English. … read more
Review: Dex Romweber Duo – Images 13
Hillbilly garage punk madman Dex Romweber has been tearing up roots music since the mid ’80s when he was in the seminal Flat Duo Jets. Dex knows no fear when it comes to playing rock n’ roll. … read more
