Year: 2018
Sundance Film Review: Shirkers
Sandi Tan might’ve been a strange teenager, but it was in the very best way. Growing up in Singapore, she published a zine and scribbled hundreds of handwritten letters and postcards. Mostly, she obsessed over film. … read more
Sundance Film Review: Time Share (Tiempo Compartido)
Sundance World Drama Selection Time Share (Tiempo Compartido) intrigues with its elusive screenplay, which alternates between the narratives of Pedro and Andrés. … read more
Sundance Film Review: White Rabbit
White Rabbit is a wide-eyed and heartfelt dramedy, compelling with a clever, entertaining premise before digging into its lead heroine. … read more
Sundance Film Review: High & Mighty
High & Mighty is a kind of Chicano, stoner-humor amalgam of It’s Always Sunny in Philadelphia and Workaholics with a serial dash of Breaking Bad. … read more
Sundance Film Review: Pity
As far as filmmaking goes, there may be something in the water in Greece. Director/screenwriter Babis Makridis’ and screenwriter Efthimis Filippou’s work in Sundance World Drama Pity converses with a similar vernacular to that of fellow Greek Yorgos Lanthimos. … read more
Sundance Film Review: Genesis 2.0
Sundance World Documentary film Genesis 2.0 is beautifully shot. Yakut “Hunters” travel to the isles to dig for mammoth tusks, which they sell with aspirations for riches. Some sell to/for scientific projects while others sell tusks that end up in the hands of artisans. … read more
Slamdance Film Review: Sunnyside
Two very eccentric, elderly men who are quasi-neighbors and buddies in Northern California—one a sound-designer, the other an anarcho-architect—go about their business, talking everything and anything with whatever Carbon happened to catch on film. … read more
Slamdance Film Review: Mr. Fish: Cartooning from the Deep End
The best of art comes from the creation that follows destruction. Mr. Fish: Cartooning From The Deep End is a documentary full of raw, ugly, animated humanity that respects that tension. … read more
Slamdance Film Review: Man on Fire
With information moving at unprecedented speeds and the concept of truth becoming increasingly distorted, definitive and drastic actions speak louder than ever. Such is the case with reverend Charles Moore, the subject of Joel Fendelman’s new documentary. … read more
Slamdance Film Review: Mexman
Germán Alonso’s main project is Mexman, an idea Alonso first worked on for his senior thesis at USC. It’s a crazy story—one about a Mexican immigrant who comes to America for a better future, who then dies unexpectedly and is subsequently turned into a “cyborg slave.” … read more
Slamdance Film Review: Instant Dreams
In this visual essay, Baptist mirrors the power of photography, fixating on the Polaroid as not only an artistic medium, but also a decisive technology and cultural document, a record of time that continually develops and evolves with the contemporary world. … read more
Slamdance Film Review: Ingrid
After so many years of being an urban creative and mother, Ingrid Gipson traded her life in Texas to pursue a more lonesome one in Oklahoma, where she could surround herself with creative projects and nature, as well as her own independence and creativity. … read more
