Authors: OneAmySeven
Review: Kattoo – Places
KATTOO PLACES Hymen 5/5 Originally Kattoo (Volker from Beefcake) was commissioned to do the soundtrack for a low-budget German porno that featured midgets and de-clawed cats. But when the deal
Review: Totakeke – At The Train Station On A Saturday...
TOTAKEKE AT THE TRAIN STATION ON A SATURDAY EVENING Frozen Empire Media 5/5 Totakeke’s Frank Morkros knows how to please an audience that craves beats and bass with blissfully dark
Review: VNV Nation – Matter+Form
VNV Nation Matter+Form Metropolis Street: 04.12 VNV Nation fans have waited two years for Matter + Form and will delight in the latest efforts of Ronan Harris and Mark
Review: Hocico – Wrack and Ruin
HOCICO WRACK AND RUIN Metropolis 5/5 There is a special feeling when listening to a band for the first time and you are blown away by how good it
Review: Icon Of Coil – Uploaded And Remixed
ICON OF COIL UPLOADED AND REMIXED Metropolis 4.5/5 Icon of Coil set out to do more damage to dance clubs across the globe when releasing UploadedandRemixed. The Oslo boys
Review: S. Sturgis – In a Haze
S. Sturgis In a Haze Positron Records Street: Out Now The artist’s name alone tells you this album is excellent. In eight years, Scott Sturgis has already shown that
Review: Laibach – Anthems And The Videos
LAIBACH ANTHEMS AND THE VIDEOS Mute 5/5 Laibach is an act that has surpassed the test of time. The Slovenian, multi-media act came into exsistence in 1980, and proved
Review: Iszoloscope – Les Gorges Des Limbes
ISZOLOSCOPE LES GORGES DES LIMBES Ant Zen 4/5 To celebrate the five-year anniversary of Iszoloscope, Yann Faussurier has a five-track treat—Les Gorges Des Limbes. Similar to the dark atmospheres and
Review: Mad E.P. – Eating Movies
Mad E.P. Eating Movies Ad Noiseam Street: Out Now When I am 6 was the first work of art by Matthew Peters of Mad E.P. and now he gives
Review: Mothboy – The Fears
MOTHBOY THE FEARS Ad Noiseam 5/5 Two or three tracks into The Fears, thoughts immediately went to Jack Dangers of Meat Beat Manifesto and to Scorn’s Mick Harris. The music