Music
Review: Ills – Hideout From The Feeders
This album mixes aspects I’m fond of—catchy progressions matched on bass and guitar that give the rhythm a thickness I could move to—with aspects I could leave behind, like vocals that sometimes sound a little too much like Isaac Brock, for example. … read more
Review: The Icarus Line – Slave Vows
On this, their sixth full-length release, The Icarus Line deliver brain-straining intensity in the form of dirty, spastic guitar flares and embittered lyrics sung in an Iggy Pop kind of quiver. … read more
Review: The Hunt – The Hunt Begins
Given the “what’s cool” music climate of 2009, this album is visionary: McGandy croons in his lush pogo/post-punk–crossover baritone, almost breaching his voice’s breadth into a holler. “Fifteen Minutes” exhibits rhythmic dynamics that propel the “What have we done to all the young men?!” chorus (which, at least, nods to a street punk gang-vocal motif). … read more
Review: hERETICS iN tHE lAB – SUTURE
This is your basic cross between metal and industrial music. It is not horrible, and it’s put together well, but nothing really stands out. The typical, grinding guitar riffs and slower bass lines are reminiscent of those that we have heard over and over at the local strip club. … read more
Review: The Head and the Heart – Let’s Be Still
Let’s Be Still is a step away from spontaneous songwriting, intending to be a thoughtful, more mature sequel. In reality, most of the tracks seem overthought and lack musical interest. … read more
Review: Fuzz – Self-Titled
It is definitely closer to early conventional heavy metal than any of the previous releases—you’re going to hear a ton of people compare it to Black Sabbath. … read more
Review: The Forum Walters – Lederhosenpunk
This whole album can be summed up in just one word: positivity! It kept me in a good mood right from its arousing intro, kicking right into the upbeat ska/punk title track that possesses me to skank whenever I hear it. … read more
Review: Eternal North – Children Ov the Cold
This Idahoan group makes me ponder the possibilities if In Flames and Children of Bodom hadn’t “moderned up” their sound. It kind of makes a guy feel like it’s the early ’90s and so many Scandinavian groups hadn’t become shadows of themselves. … read more
Review: Espectrostatic – Self-Titled
Garage rock impresario Alex Cuervo (Hex Dispensers, Feast of Snakes) has faithfully captured the intensity and driving repetition of classic horror movie soundtracks on his newest synth project, Espectrostatic. … read more
Review: East of the Wall – Redaction Artifacts
This album is one big derivative showcase: I hear a shit-ton of Opeth, Tommy Giles, Mastodon and The Ocean among others, so there’s an element of comfortable familiarity when I listen, but that familiarity is at the expense of any originality the band might be capable of. … read more
Review: Drugs of Faith – Architectural Failures
If any genre should be bulletproof to experimentation and expansion, it’s grindcore, but in 2013, strong releases by Call of the Void and Beaten to Death have challenged this notion, and Drugs of Faith are right alongside them. … read more
Review: The Difference Machine – The Psychedelic Sounds of the...
The Difference Machine meld together the meditative effect of psychedelia with urgent rhymes about spiritual awakening. Dr. Conspiracy’s King Geedorah–style, trance-like beat is matched with emcee DT’s seamless flows and Reid Richards’ witty lyrical tour through Marvel Comics superheroes in “Marvel.” … read more
