My Parents’ Favorite Band and the Gimme Gimmes: Interview w/ Spike Slawson

My Parents’ Favorite Band and the Gimme Gimmes: Interview w/...
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Me First and the Gimme Gimmes really need no introduction—you should know their shtick by this point. Just in case you don’t: Swingin’ Utters’ Spike Slawson (vocals), NOFX’s “Fat” Mike (bass), Joey Cape and Dave Raun from Lagwagon (guitar and drums, respectively), and former No Use for a Name and current Foo Fighters member Chris Shiflett (guitar) don their finest attire, drink too much, and crank out skate-punk covers of just about everything. … read more

Take the Fall – December 2004

Take the Fall – December 2004
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“I smashed my head against the wall, I don’t bleed at all. … I’ve forgotten how to feel, is any of this real/I’ve got suicide intent.” –Austin Parton (singer/guitarist, Take The Fall) “Something that differentiates us from other bands is our songwriting,” Austin explains. “Every song you’ll hear on our CD is a true story.”

Extending Soul: Who is Ron Carroll?

Extending Soul: Who is Ron Carroll?
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From being a choirboy to an award-winning vocalist, Chicago native Ron Carroll not only can play classical saxophone, clarinet, trombone and trumpet, but he’s been on Billboard charting and DJ-ing house music for over a decade. Find out who he is in this SLUG exclusive interview. SLUG: Who is Ron Carroll? Ron Carroll: A-jack-of-all-trades-master-of-none kind

Touch It, Turn It to Gold: Jared Gold Brings Vivacious Couture to SLC

Touch It, Turn It to Gold: Jared Gold Brings Vivacious...
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In a warehouse space full of clothing patterns, racks of jackets and skirts, boxes of scarves, enormous computer screens, sewing machines and genuinely interesting-looking people, a man with a full-length wool coat and camouflage pants directs the operation. He is the Idaho-born, Los Angeles fashion scene-weaned, fashion world upstart Jared Gold. With a new retail

 
 
Katchup – December 2004

Katchup – December 2004
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For the month of December, there are also plenty of discounts to be had out there for charities at different resorts. Here are a few chances to help the needy and help your wallet.  … read more

Dear Dickheads – December 2004

Dear Dickheads – December 2004
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Dear Dickheads, I have just one question, what in the Hell is “revival rock?”It sounds like something Rolling Stone or MTV might have come up with. Here’s what Random House has to say about the word “revival”: re.viv.al , n. 1. the act of reviving. 2. the state of being revived. 3. restoration to life,

Bellydancing – December 2004

Bellydancing – December 2004
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When I watch Shahravar dance, I am transported to another time and place: to exotic lands, spicy scents and multi-layered earthy music. There is magic and mystery in her interpretations, and an absolute excellence of technique. Her performances are always unique and beautiful, which comes from her obvious joy and delight in dancing, and translates

Contributor Limelight: Nick James

Contributor Limelight: Nick James

Nick James has been writing his Headphones column for SLUG Magazine for an entire year bringing a spicy, rare taste of DJ music culture to Salt Lake City. … read more

Review: GOD SAVE MY QUEEN: A TRIBUTE – DANIEL NESTER

Review: GOD SAVE MY QUEEN: A TRIBUTE – DANIEL NESTER
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GOD SAVE MY QUEEN: A TRIBUTE DANIEL NESTER Soft Skull Press Street: 04.2003 In Daniel Nester’s simultaneously lyrical and obsessive treatment of Queen’s musical and metaphysical legacy, both band and ostentatious frontman Freddie Mercury are offered far greater fates than the reputation that precedes the group’s recognizable work, i.e., “Bohemian Rhapsody,” and Mercury’s highly publicized

Review: PICNIC GROUNDS: A NOVEL IN FRAGMENTS – OZ SHELACH

Review: PICNIC GROUNDS: A NOVEL IN FRAGMENTS – OZ SHELACH
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PICNIC GROUNDS: A NOVEL IN FRAGMENTS OZ SHELACH City Lights Street: 04.01.03 Composed in a clean literary style devoid of muddied metaphors and overarching allegories, the hauntingly brief vignettes of Oz Shelach’s Picnic Grounds are guided by the concept of the commons: a series of publicly utilized resources, plots of land and amorphous societal rights.