Issues: Issue 300 - December 2013
Review: East of the Wall – Redaction Artifacts
This album is one big derivative showcase: I hear a shit-ton of Opeth, Tommy Giles, Mastodon and The Ocean among others, so there’s an element of comfortable familiarity when I listen, but that familiarity is at the expense of any originality the band might be capable of. … read more
Review: Dead Hand Projekt – Control
First of all, I was completely amazed when I found out that some of the origins of this band are from Casper, Wyo. Luckily, they ventured out of the one-horse town and came across a Southern California influence. … read more
Review: Dead Waves – Take Me Away EP
For their follow up to June’s Kill the Youth EP, this Queens-based trio fleshes out their penchant for abrasive melodies via six songs of fuzz-blasted caterwauling with a nod to early Pixies. … read more
Review: Cults – Static
Her high-toned vocals complement the sparkly ’50s-style guitar tunes they lay on, though on tracks like “Always Forever,” they remind me of an excited girl talking to a dog (“Hi, puppy!”). … read more
Review: Dale Cooper Quartet & the Dictaphones – Quatorze Pièces...
Quatorze Pièces de Menace starts with near perfect treatise explaining a term like “dark jazz” to the masses. This 20-plus minute opus tracks a slow-build progression from dark ambience to slow industrial clang, to Birth of the Cool–era Miles Davis cool jazz, to swells of post-rock guitars and swathes of noise. … read more
Review: Dave Hause – Devour
The Loved One’s current and Paint It Black’s former guitarist has also been putting out solo material since his stint performing on the PIB 2009 revival tour. It’s obvious that Hause knows how to create a large scope with his songs since each of them are emotional epics that tell Americana-type stories. … read more
Review: Brief Lives – Whistleblower 7”
I prefer the B-side, “No Voice.” This track captures the DC punk sound better by slightly upping the speed with a steady thumping beat and quick guitar creating the backing the vocals call for. … read more
Review: Cage the Elephant – Melophobia
Drawing on more classic rock influences, CTE attempt to distance themselves from the Pixies-esque sound on their previous album, Thank You, Happy Birthday, instead opting for a much more refined sound. … read more
Review: Callow – Blue Spells
The overly mesmerizing disposition of Blue Spells won’t sober up lovesick music listeners like garden-variety pop songs would, but serves more as a “hair-of-the-dog” cure and further inebriates them via beautiful minimalistic slowcore. … read more
Review: Blitzen Trapper – VII
Blitzen Trapper = The Eagles + Pavement + Fleet Foxes … read more