January 2014
Review: Motörhead – Aftershock
In an age when most of the great classic hard rock bands are slowing down and approaching their twilight years, Motörhead keeps charging ahead, playing the hardest and truest rock n’ roll ever recorded. … read more
Review: Maggie McClure – Time Moves On
Filled to the brim with cutesy pop confessionals and whimsical, dreamy instrumentals, Maggie McClure masters the small-town-girl-meets-big-city vibe. … read more
Review: Magic Trick – River of Souls
Lead singer Tim Cohen croons in a cool, ’60s tinged way, complemented by an accompanying female voice, keeping it psychedelic, but not losing the driving bass and trumpet of the folk genre. River of Souls is definitely an album to keep loud and keep on repeat. … read more
Review: Marley Carroll – Sings
It’s similar to the chattering electronica of Caribou, with just a bit more sophistication. If you’ve been waiting for Caribou’s next release, I suggest giving Carrol’s new album a try. … read more
Review: Korn – The Paradigm Shift
There are breakdowns and plenty of bass slapping going on, just not as much of front man Jonathan Davis’ screaming. For fans, this may be a nice bite of fresh Korn after the last dubstep collaborative album. Looking past “dubstep Korn,” this record fits right in with however many albums Korn’s recorded. … read more
Review: Juan Wauters – N.A.P. North American Poetry
N.A.P North American Poetry is filled with beat poetry, combined with the radiant attraction of pop, dunked in folk. … read more
Review: King Krule – 6 Feet Beneath The Moon
His debut LP manages to blend light jazz with minimalistic trip hop, while the music itself remains folk at its core. This album feels like Marshall took the vibe of classic folk album Moondance by Van Morrison, then dragged it through the London underground, encountering a few alleyway beatings and a few bad breakups along the way. … read more
Review: I Break Horses – Chiaroscuro
Although it feels like I’ve heard this album a hundred times before, performed by different artists throughout the years, I Break Horses deliver a skillful synth-pop performance of epic proportions. … read more
Review: Haim – Days Are Gone
The simple kick drum and offsetting claps will keep this track stuck in your head for days. But “My Song 5” is a bit darker and slower. Choppy and squelchy, this track possesses aspects of a grimy club track, which made it my favorite Haim piece to date. … read more
Review: Green Velvet – Unshakable
This album is ahead of its time, and I’ve got a feeling that these tracks are going to be snaking their way into the club for at least the next decade, which, to be honest, is close to 100 years in the EDM culture. It is pure, unapologetic insanity—it’s THAT fucking good. … read more
Local Review: Vile Blue Shades – Live! in Salt Lake -or-...
Red state, blue state, now that both the Red Bennies and Vile Blue Shades allegedly are no more, Utah is much less a punk rock state. … read more
Local Review: The Moth & the Flame – &
Producer Joey Waronker (drummer for Beck) has melded together this artistic vision with unconventional and wonderfully complex rhythms. This EP thumps in its catchy haunt and one can’t help but to close their eyes and listen. … read more
