Miss Jeanette Moses, I think the only reason you place us in yer special little box of offesive music is because you are either A) just a person who just got into punk withing 2-5 years ago and yer still just a tad bit niave punk music or B) a fem nazi hybrid in need of a good fuck but doesn’t want to do it because yer fem counter parts won’t like that you will yell out “Lyin Bitch, insert yer fists!!” … read more
July’s cover features the photographs and graphic design skills of Emily Allen. Emily Allen is no new face to SLUG Magazine, having penned CD reviews, a feature review with Yo La Tengo and served as our resident Localized photographer over the past six years. … read more
Morning Constitutions Larry the Cable Guy Warner Brothers Street: 04.03 Daniel Whitney, or as America knows him, “Larry the Cable Guy,” is a marketing genius. Work with me here. When he first started taking his comedy to the stage, he learned that the square, irreverent white-guy routine was not only covered, but done much better
SOULVATION: the Best of Northern Soul Wienerworld Street 01.07 SOULVATION is a re-issue of a collection that was originally called “The weird and wonderful world of Northern Soul.” It is an attempt to chronicle the “northern soul” movement, a variety of mid-tempo, heavy-beat soul music popular in northern England in the late 1960s. Many of the
The Best of Vol. 2 The Kids in the Hall A&E TV Street: 07.31 Kids in the Hall was a popular comedy troupe in the mid-90s that brought Canadian humor to the states, relying heavily on satire, monologues and a liberal dosing of absurd situations. Like Vol. 1, Vol. 2 showcases the best of the
Pelican has become quite prolific since their humble beginnings, partly thanks to signing with Hydra Head Records, and their associations with ISIS. It’s funny to me that Pelican started as a side-project to another band, Tusk, however it makes sense that the Pelican project would have a bit more success. … read more
Salt Lake City, I’m mighty disappointed in you. At the Gaslight Anthem’s first ever show in our fine city, they were greeted by a grand total of 10 people, four of whom were members of opening band Signal to Noise. … read more
Going to ska-punk shows does two things to me: 1. They make me feel old and 2. They make me feel relatively attractive. Ska-punk is an inherently dorky genre of music, and sad though it may be, the dorky tend to be less attractive than the non-dorky. Now I’m not saying that I’m a prime cut of 100% American Male myself, but goddamn those ugly kids sure made me feel good about myself (operative word being “kids”). … read more
I remember hearing Damien Dempsey’s album Seize the Day and not connecting with its dominant theme of Celtic pride but as he takes the stage, a man and an acoustic guitar standing alone against an audience anticipating Sinead O’Connor I can’t help but notice that there is something captivating about him. His introduction of each song is humorous, filled with wisdom and hope. … read more
