It’s hard to take music that sounds so wonky seriously, like a few tracks on this record, but when it’s catchy and bizarre, you know there’s some magic in it. MGMT are clearly having fun with this album and it makes for one of the most interesting releases of the year. … read more
Don’t Tell The Driver would be the perfect album to ease a panic attack. The instrumentation felt loaded with a Southwestern vibe, making it feel as though I was traveling alone by horseback across the desert landscape, especially in “The Navigator.” … read more
Phil Elverum voices everything on the album, his voice ranging from very deep to melodically high-pitched. Though on the surface it may seem simple, Pre-Human Ideas sets out to prove that the electronic can, in fact, be quite natural, and that recomposition doesn’t have to be familiar. … read more
Fetch will have you scrambling after their lightning-paced rhythms and the frenetic phrasings of vocalist Yasuko Onuki, and Ichirou Agata’s guitar explorations—which are all over the place in terms of the fretboard and effects—that range from video game noises to natural sounds. … read more
Baton Rouge, La. combo Moon Honey might lay to rest comparisons of that city with colorful New Orleans. Indie bands have dabbled with orchestral instruments before, but this product is psych rock with the theatricality of ’70s glam. … read more
For their third LP, Vancouver outfit Mode Moderne have embraced their goth pop style wholeheartedly and created their most confident album to date. … read more
If I would have bet you 10 years ago that Mogwai would return to its synth explorations on 2003’s Happy Songs for Happy People and turn into a kinda boring post-rock band that locked itself into a relentless kraut groove, I would be $12.69 richer (adjusted for inflation). … read more
In an age when most of the great classic hard rock bands are slowing down and approaching their twilight years, Motörhead keeps charging ahead, playing the hardest and truest rock n’ roll ever recorded. … read more
Though this album might call to mind Morgan Delt’s contemporaries like Ty Segall and Tim Presley—perhaps even their collaborative effort, Hair—there is something much more methodical taking place on this record. … read more
This three-disc set is a lot to wade through, and it is so eclectic, treading into jazz and rock regions, I can’t imagine any blues fan, guitar enthusiast or fan of the artists Bloomfield worked with not finding the trip worth it. … read more
The album, while retaining similarities of the band’s past, has moved the term “forward-thinking death metal” to new territory. The album, at its core, shuffles the straight-up death metal tag. … read more
Metatag’s tape cover bears a strong resemblance to Joy Division’s classic, Unknown Pleasures, if it were isolated and magnified a couple hundred times. … read more
