Iota, who, again, just to drive the point home, should be signed to Small Stone, combine the fast, catchy stoner fury of such luminaries as Fu Manchu … read more
Local Review: Iota – Three Tons
Iota, who, again, just to drive the point home, should be signed to Small Stone, combine the fast, catchy stoner fury of such luminaries as Fu Manchu … read more
Junk Drawer Album of the Same Name Self-Released Street: 11.21 Junk Drawer = 311 + Dinosaur Jr. + Lansing Dreiden There is something inherently 80s about the band Junk Drawer. Maybe it is the vintage synths or the verse chorus nature of some of their songs, but what can definitely be said is that they
Juse Concentrate This! Self-Released Street: 09.01 Juse = Social Distortion + Rancid + The Offspring Juse (pronounced like “Juice”) have been throwing out their brand of punk influenced rock in Ogden for almost four years. With Concentrate This!, Juse presents some interesting songs with plenty of energy, but it’s a little too rough around the
Intra-Venus & the Cosmonauts play raw, psychedelic punk rock. Their EP Launch, recorded and engineered by the band DIY-style, reflects their experimental punk mentality. … read more
This two-disc release is full of so many different styles, it falls into a category of its own. It’s a mixture of soothing, psychedelic surf guitar, sudden bursts of white noise and death metal with growling “Cookie Monster” lyrics. … read more
I listened to this album six or seven times before I realized it—30 seconds into the second track, “Broke”—these are all Modest Mouse covers. Jesus, I am slow. But doesn’t that speak to how great Joshua James is?
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Moodier than Garfield on Monday and not nearly as fun, Joe Ecker makes up for what he lacks in musicianship with a strong voice and earnest (almost embarrassing) lyrics. … read more
Jake Burch sings like someone pleading for absolution, as if he’s somewhere in the astral plane, stuck between stations. Burch’s voice can move up the octave scale from a twangy, marble-mouthed drawl to an impressive Jeff Buckley howl in a strained falsetto that pushes the recording into the red in a few quick movements. … read more
On album opener “Marrow In The Morrow,” Jay William Henderson cries, “You fool, you fucking fool. You’ve created this torturous mess.” This is some sad-bastard music, and I mean that in the best possible way. … read more
Juana Ghani seem to have a penchant for bringing to life a seedy, seductive back alley in Italy or Russia through their simultaneously languid and staccato music (“Na Zdorovie”). Every song is heavy on the accordion and fiddle, which feeds directly into their distinctive style of gypsy-influenced folk punk. … read more
A fluttery work of ambience, moth,wing,dream, evokes images of a flickering light in a cabin or a midnight walk through a cemetery. It could be a soundtrack for a horror film with its hushed chords and sci-folk vocals. “Lake Days” is composed in the style of Morrissey, with simple synth guitar and repetitive, gloomy lyricism.
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Jay Citrus isn’t exactly a visionary—his rhyming is sloppy, he gets his song titles from classic hip-hop tunes and, on at least one occasion, he straight-up jacks a beat without any attribution—“The Scenario” is Yeezy’s “Blood on the Leaves.”
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