New Low – Review

New Low – Review
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From the moment the film begins, it’s abundantly clear Wendell is a neurotic social coward always determined to harp on the negative aspects of himself and others, especially his girlfriends.
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One Too Many Mornings – Review

One Too Many Mornings – Review
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First impressions can instantly make or break a relationship. Meet Fischer (Stephen Hale), an alcoholic handyman who lives rent-free inside a church. … read more

Waiting for Superman – Review

Waiting for Superman – Review
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America’s schools are failing. Despite all the presidents who have committed themselves to education reform and the millions that have been poured into America’s pubic schools, there has been little improvement for nearly 40 years. … read more

Kick in Iran – Review

Kick in Iran – Review
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Abdollahyan’s documentary provides a glimpse into the restricted lives of women in Iran, but also details the unique bond between a female Olympic athlete and her perfectionist coach. … read more

Double Take – Review

Double Take – Review
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Johan Grimonprez’s second documentary is the epitome of the Sundance Film Festival’s core foundation. … read more

Bran Nue Dae – Review

Bran Nue Dae – Review
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Set in 1969 Australia, the film follows Willie, a young aboriginal boy whose evangelical mother has sent him to Catholic boarding school in the hopes that he will join the priesthood. … read more

Armless – Review

Armless – Review
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John suffers from body integrity identity disorder, an unusual condition where individuals wish to remove their limbs—John wants to cut off both of his arms. … read more

Winter’s Bone – Review

Winter’s Bone – Review
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Ree Dolly (Jennifer Lawrence) is a 17-year-old with more responsibilities than most adults living in the Ozark Mountains. … read more

Homewrecker – Review

Homewrecker – Review
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There’s nothing more annoying than a jealous lover who constantly runs on the assumption that their significant other is cheating on them. … read more

Daddy Longlegs – Review

Daddy Longlegs – Review
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From the start, Lenny is depicted as a carefree thirtysomething New Yorker with no direction or responsibility in life.
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