Year: 2013
Review: Poor Remy – Bitters
Folk transforms into alt-country at the end of “Cave Eyes,” concluding the album pleasantly. Try this one out for a hiking trip or a day in nature. … read more
Review: Psalm Zero – Force My Hand
It’s tough to rate the band on this debut single, because one of the two songs is a cover of Today Is The Day’s “Willpower,” which they transformed from its distorted, noise-metal roots into a gothic dirge with what the band calls “medieval vocal harmonies.” … read more
Review: Poison Idea – Kings of Punk [Reissue]
Southern Lord’s love affair with reissuing old PI records hasn’t let up, and (for once) this reviewer isn’t complaining. Few hardcore bands deserve more praise than Poison Idea, and these loving reissues are a testament to that. … read more
Review: Pinkunoizu – The Drop
They’ve combined classic rock-pop characteristics, like drum lines and bursting guitar sounds, but have kept it weird with ghostly vocals, lingering organ chords and unpredictable tone deviation. … read more
Review: Poliça – Shulamith
The album is murky and reverb-heavy and the band really immerses itself into the ’80s new wave synth pop genre without seeming too blatantly retro. “Tiff,” featuring Justin Vernon, is the trailblazing single for Shulamith. … read more
Review: Pro-Pain – The Final Revolution
This is 12 cuts of the heaviest shit the band has done in a while. All the qualities you want in a metal record—riffs, grooves, crazy solos—yeah, it fucking rocks. I can’t find a bad song in the bunch. … read more
Review: Purgation – Exterminated Malfeasance
Behind the louder noises are stellar death metal groove punches and some just-as-stellar sweet bass playing. Looking at this record from the optimistic point of view, it’s damn pleasing, it just takes a few listens of aural adjustments and you get the full devastating effect of it all. … read more
Review: Panikk – Unbearable Conditions
Aping a classic Yankee sound with precision, finesse and a smattering of rough-hewn technicality, Slovenian (!) rippers Panikk pay bleary-eyed tribute to the golden age of Reagan-era noggin shakers, ante-upping “party thrash” contemporaries with fretboard frenetics. … read more
Review: Ohvaur
Opening with one of the chunkiest bass lines in recent memory, A Memories Chase is an album as musically powerful as the story that led up to it. … read more
Review: Old Man Markley
OMM play fast-paced bluegrass that they approach like people living in the present day. I guess that makes them the new punks on the scene, but I just hear well-crafted, original music that happens to have bluegrass elements. … read more
Review: Old Wounds
There is a certain, special je ne sais quoi about the sound that Jersey-based Old Wounds deliver. It’s not new or groundbreaking, nor is it a completely tried-and-true homage to some old hardcore sound. Devastatingly simple, it is heavy music stripped to its rotted bones and delivered without pretense or gimmick. … read more
Review: Ólöf Arnalds
Ólöf Arnalds comes from the land of ice and Sigur Rós, and although this is her third album, Sudden Elevation is the first to be sung entirely in English. The album was written mostly during a two-week stint in the fall in a seaside cabin, which gives it a cohesive feeling from start to finish. … read more