Authors: Parker Scott Mortensen
The Other I: Marisa Morán Jahn
MIRROR | MASK is an exhibition by Marisa Morán Jahn running at the Utah Museum of Fine Arts that asks us to consider questions of identity, the self and the other through various media. … read more
Review: Mopey Wrecks
Mopey Wrecks (A Performative Analysis of Sibling Interdependency and the Increasing Unlikelihood of Returning to Moscow) is an intricate weaving of feelings between characters who can’t help but both bring each other up and tear another down. … read more
No Man’s an Island: Andrew Rice
Andrew Rice’s showing at God Hates Robots is far from his first. With a decade on the scene, he’s shown at the UMFA, UMOCA and many others, and the style of artwork he’ll be showing at Robots doesn’t even showcase his printmaking, which is accomplished in its own right. … read more
NOW-ID’s A Tonal Caress Review
“The desire to understand and be understood is at the core of human experience,” writes Charlotte Boye-Christensen, NOW-ID’s artistic director. “Every gesture opens a fleeting vulnerability with opportunities and dangers of self expression.” … read more
Damn These Heels 2018: Sisterhood
Sisterhood is co-parenting without romance. Sei (played by Gigi Leung as her older self and Fish Liew as her teenage self) and Ling (Jennifer Yu) are two Chinese women without any romantic attraction to each other. … read more
Damn These Heels 2018: 1985
1985 is Adrian’s story of moving through his hometown one last time. Having contracted HIV from his now-deceased boyfriend while living in New York, Adrian struggles to reconcile his relationship to his god-fearing family with his knowledge that he is sick, that he will almost certainly die. … read more
Damn These Heels 2018: The Misandrists
The Misandrists is the most frustrating movie I’ve seen in a while. I got whiplash trying to understand whether the film was celebrating women or only pretending to—satirizing with camp or offering an actual worldview. … read more
Review: The Aliens
The Aliens is a performance that’d be subtle enough for TV but is still connective enough for theatre. “Half of this play … is silence,” writes playwright Annie Baker, and it’s true. It works in this production because the audience is so close. … read more
Chiura Obata: An American Modern
An American Modern has a lot of firsts. It’s the first touring exhibition of Chiura Obata’s work that includes work from all decades of his working life. It’s also the first time his works have been presented as a collective retrospective in Japan, since they’ve only shown in fragments before and not always translated. … read more
Selective Nature: Nancy Rivera
Nancy Rivera has wrestled with this boundary of the real since her days completing her MFA at the University of Utah. Her work centered around the cyanotype processes, a cameraless form of photography that exposes a photosensitive iron solution onto a surface and then dries it in a dark room. … read more