Music
Local Reviews: Pretty Worms/Plastic Furs
With “Comet Tail,” you can hear Trisha McBride’s vocals a little more clearly in the mix of bright bass and thick sonic distortion, and her ranting drone is an excellent fit for Pretty Worms. It’s a little slower and much less noisy than their other material, but as a stand-alone track, it rocks with the best of them. While the familiar, yet still unsettling vocal loops play on, the drums keep a snappy, danceable beat. … read more
Local Reviews: Desert Noises
If I had to pick one local album to share with a friend from out of state, Mountain Sea would probably be it. To me, it represents the real quality folk-inspired rock n’roll that comes from Utah. Its sound is big enough to fill wide-open spaces and its feeling is intimate enough for a good pair of headphones. … read more
Local Reviews: Pretty Worms/Blackhole
“Killers Galore” is a ride through noise punk hell on a groovy bass and a light, punchy drum rhythm. Punctuated with sound clips of sirens and yelling, part of the song’s appeal is the sublime strangeness with which they approach a very basic song. … read more
Local Reviews: Cathy Foy
“I can carry my own weight, I can carry my own sins, away,” Cathy Foy delicately sings on “I Became a Flash” from her sophomore release, Quiet as the Hour. Most of us are accustomed to seeing Foy behind a drum set playing for scene makers such as Hang Time, Future of the Ghost, Bluebird Radio, The Awful Truth, The Downers and more. On Quiet, Foy showcases a newfound confidence in songwriting and performance. … read more
Local Reviews: Pretty Worms
Side “Acid” takes punk beats and droning bass grooves and combines them with electronic noise and glitched-out mechanical melodies. Pretty Worms play a style of noise rock that is pretty unusual at first listen, but if you give it some time, the incoherent vocal loops and seemingly random atonal synthesizers might begin to make sense. … read more
Local Reviews: OK Ikumi
Local musician OK Ikumi’s new album made me escape into a world of melancholy colors and whimsical melodies. Simple but hypnotizing drum patterns, teasing synths and eerie but friendly samples gave the album a strong, reposed vibe. … read more
Local Reviews: Nonnon
Salt Lake-based producer Nonnon’s new album, El Socialismo, is a hidden gem that needs to be heard by the world of glitch. With its complicated drum patterns and intricate use of samples, the whole album is glitch holiness! … read more
Local Reviews: Nick Neihart
Local folkie Nick Neihart hits a range of acoustic touchstones, employing his falsetto artfully on “Free as a Chain,” but also sounding just at home in the rougher, rootsy “Somewhat of a Loser.” … read more
Local Reviews: Nevertanezra
Local doom metal band Nevertanezra is proof that the scene is far from dead. They’ve dropped their new album, NTNR, on the valley, and like a delicious bag of Satan-flavored potato chips, you can’t stop at just one spin of this record. … read more
Local Reviews: Levi James Lebo
It’s always a pleasant surprise to see a musician step out of their comfort zone and take a risk with something new, even if it’s just for themselves. That very scenario made Autography a heartwarming listen, as the usually heavy and screeching guitarist Levi James Lebo (of White Hot Ferrari fame) took to the keys and recorded this full-length album of ambient piano and chamber music. … read more
Local Reviews: Lake Mary
I picture this band being a group of gangly, quiet 17-year-olds. Their five song acoustic EP evokes youthful and tender feelings, while at the same time feels a bit underdeveloped. … read more
Local Reviews: Jimmy Hack Up
100% Illegal is the new sound collage project by local art-faux leader, Xkot Toxsix, AKA Jimmy Hack Up. The most recognizable selections sampled: The Cure’s “10:15 Saturday Night,” Depeche Mode’s “Dreaming Of Me,” Angry Samoans’ “Lights Out” and Nitzer Ebb’s “Murderous.” The skill of layering these samples, and mixing and mashing them together is spot-on. … read more
