Issues: Issue 284 - August 2012
Local Reviews: American Hollow
American Hollow offers an eerie blend of progressive rock and raspy, Eddie Vedder-esque vocals on their self-released EP. The background synths are darkly encompassing and help to fill their sound. These guys are undoubtedly talented guitarists. However, their sporadic changes in guitar chords and overall rhythm—sometimes metal and other times rock—left me confused as to what sound they really want to own. … read more
Local Reviews: Blackhole
This 40-minute live set is a slow burner—one long track of stripped-down, deep grooves from a psychedelic ensemble. Bombarding you with seemingly endless buildup toward a minimal climax, you have to pass that first crest before they start hitting their stride. … read more
Local Reviews: Charles Ellsworth and the Dirty Thirty
This Arizona transplant has created a record full of sorrowful tunes that seems to organically flow from within himself. Gentle in his approach, each song is as thoughtful in its songwriting as it is in its production. One that stood out for me was “These Desert Nights,” which builds a picture of the lost feeling that Ellsworth himself has surely had while spending time in his native land. … read more
Local Reviews: DJ RoboRob
I was pleasantly surprised by how well produced this album was. DJ RoboRob is a local Salt Lake City DJ that you can find throwing the sickest electronic music you’ll ever hear at the Metro every Friday. Having been a producer for quite some time now, An Aria Electronica is his first EP, and he knocked it out of the park. Tantalizing synths, smart layering, amazing samples and hypnotic drums that melt beautifully into my ears are felt throughout the EP’s entirety. … read more
Local Reviews: Draize Method
Slamming out legit hardcore—literally from the ’80s—Draize Method and their onstage socks n’ sandals represent a bygone era that has come back to haunt us. The band namely hashes out D-beat punk with natural, mid-level vocal aggression and thrashy chugs, such as in “Fear.” They do, however, add an Agent Orange-esque element in “Myself” and “Mantra,” where vocalist Dan Fonoti sings in a ghostlike voice and then breaks into throaty wailing. … read more
Local Reviews: Dusk Raps
Throw Away The Key is the new full-length solo release from local hip hop mainstay Dusk One. Having been a member of MindState and collaborated on several shorter releases with Fisch Loops, amongst other projects, Dusk has been defining the scene—it was only a matter of time before he branched out of state and made his presence felt nationally. … read more
Local Reviews: GAZA
Salt Lake’s own grind-metal heroes have kicked their game up to some intense new heights with this record. Familiar elements of the previous albums prevail: the discordant insanity, the rib-smashing riffs, the harsh, grating screams from some lower bowel of hell. On top of this chaotic primordial soup, the band has planted layers of matured, rhythmic, doom-metal moments that feel like coming up for air before you drown. … read more
Local Reviews: Inland
With noodly, undistorted guitar lines and constant high hat in the forefront showcasing emotional vocals and thinly veiled romantic lyrics, Inland sounds exactly how I’d imagine Kickball did in high school. … read more
Local Reviews: Kristen Nelson
Beautiful, soulful melodies with drawn- out, twangy vocals comprise the majority of this seven-song EP/album, and a dash of pop helps keep it current and catchy. Kristen Nelson, originally hailing from Washington, brought the melancholy vibe often associated with her homestate to Utah. … read more
Local Reviews: Markham Sound
At first, I didn’t know if this was a serious attempt to create an album, but I quickly realized it’s some kind of blend between comedy and music. The album opens with the tune “Mom & Dad,” with a chorus that rambles off a list of bands, “Rolling Stones, Bob Dylan, Seals and Croft, Three Dog Night, Chuck Berry, Sly and the Family Stone.” … read more